BÖCKER, 16 stycken. Främst Kinesisk konst och konsthantverk.
Lou Zhewen, China's Imperial Tombs and Maosoleums, China Global Printing Company, Beijing 1993. Vassar College Art Gallery, Into the Afterlife: Han and Six Dynasties Chinese Tomb Sculpture from the Schloss CollectionNew York 1977. Jessica Rawson, Chinese Ornament, The Lotus and Dragon, The Trustees of the Britsh museum, London 1984. Howard A. Link, Asian Orientations, Treasures from Honolulu's Oriental Art Society, Honolulu Academy of Arts, Hawaii 1985. William Watson, The The Arts of China to Ad 900, London 1995. Adam T. Kessler, Empress beyond the Great Wall, the heritage of Genghis Khan, Natural History Museum Los Angeles 1993. War & Ritual, Treasures from the Warring states 475-221 BC, Empress Palace Museum, 1993. Albert Lutz, Dian, Ein versunkenes Königreich in China, Zürish 1986. Chinese Ceramics, Ancient Stage. Helmut Brinker, Bronzen aus dem alten Chuna, Zürich 1975/1976. Kinesiskt ur Röhsska Konstslöjdsmuseets samlingar, Göteborg 1980-1982. Wen Fong, The Great Bronze Age of China, Metropolitan Museum of Art, Thames & Hudson London 1980. Chinese Snuff Bottles from the Collection of the Rt. Hon. Marquess of Exeter, Hugh Moss Limited, 1974. The Oriental Ceramic Society, Chinese Ivories from the Shang to the Qing, London 1984. Jessica Rawson, Mysteries of ancient China, new discoveries from the early Dynasties, British museum press 1996. Helmut Brinker and Albert Lutz, Chinese Cloisonné, The Pierre Uldry Collection, London 1989.
Ej genomgångna, säljs i befintligt skick.
Proveniens
The Oldertz Collection. Carl Oldertz (1924-2006), was a M.D.h.c. and a Director of a Swedish Insurance Company, Stockholm.
Carl was a passionate collector, who built his collection over the decades. In the 1970’s he started to focus his interest in objects from Asia, mainly Chinese Antiques and Works of Art. He was very much an academic collector who strived to acquire pieces from different epoques and constantly sought after more knowledge about the pieces, the techniques and their history. His broad interest in Chinese culture and history together with his curiosity led him to visit many private collections and museums around the world.