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Richard Phillips

(USA, Född 1962)
Utropspris
200 000 - 300 000 SEK
17 700 - 26 500 EUR
18 400 - 27 600 USD
Klubbat pris
180 000 SEK
Köpinformation
Bildrättigheter

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För konditionsrapport kontakta specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist fotografi och samtida konst
+46 (0)702 63 70 57
Richard Phillips
(USA, Född 1962)

"The Dead Do Not Revolt (After Aslan)"

Utförd 2008. Olja på duk 182,8 x 141,5 cm.

Proveniens

Gagosian Gallery, New York.
Privat samling, Stockholm. Inköpt från ovan 2009.

Litteratur

Gagosian Gallery, "Richard Phillips - New Museum”, 2009, avbildad sid 18.
S Magazine,”Richard Phillips social services”, 2009, avbildad på helsida sid 75.
Marcus Steinway, ”Richard Phillips: Negation of the Universe”, 2014, avbildad på helsida sid 210.

Övrig information

'... Over the last decade, Phillips has developed a striking signature style that derives its tension from his selective use of popular images that he subjects to the technical, value-laden refinements of academic painting. For Phillips, critique is as much an intrinsic material in the conception and staging of his paintings as the canvas and paint with which they are made. His deft and selective scrambling and conflating of subject and genre continues to provide challenging comment on the condition and reach of painting in our time. As a self-conscious American painter weaned on postmodern appropriation strategies, Phillips is an active protagonist in the continually evolving discourse on the many lives and deaths of painting and how this interacts, throughout history, with the complex politics of making and reading images. ...

... Evoking the potentially explosive implications of these competing interests, SUMKA and The Dead Do Not Revolt (After Aslan) deal with potent symbols of power and revolution. In the former it is the emblem of the Iranian neo-Nazi party containing vestiges of the German swastika; in the latter, it is an image of Fidel Castro appropriated from a photograph of a "body painting" by the notorious erotic illustrator Aslan. In Aslan's original painting, Castro's face appears inscribed on a woman's abdomen and genitals in a blunt negation of his carefully proscribed image of revolutionary masculinity, complete with phallic cigar.

By manipulating, recombining, and amplifying all manner of sexual, social, political, commercial, and artistic imagery, Phillips's incisive and at times repugnant compositions continue to challenge the concept of fixed and predetermined meanings in visual culture while proposing an altogether new meaning of the term "history painting."

Born in Massachusetts in 1962, Richard Phillips lives and works in New York. His work is collected by public and private institutions including the Albright-Knox Art Gallery, Buffalo, NY; the Denver Museum, CO; the Modern Art Museum of Fort Worth, TX; the Museum of Modern Art, New York; the Museum of Contemporary Art, Miami; UBS Paine Webber Art Collection, New York; San Francisco Museum of Modern Art; Tate Modern, London; Van Abbemuseum, Eindhoven, The Netherlands; and the Whitney Museum of American Art, New York. ...'

From the exhibition text for Richard Phillips' exhibition 'New Museum' at Gagosian Gallery.