Skål på hög fot, porslin Qingdynastin, Yongzheng (1723-35).
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Elegant modellerad med breda rundade sidor som reser sig från en utsvängd fot mot en konturerad blomformad kant. Utsidan indelad i sex paneler som alla innehåller en blommande gren av granatäpple, persikor, fingercitron. Ovan det en kant med dekor av lingzhi. Vid insidan av mynningen vilda vågor och cavetten med dekor av en persikogren. Höjd 8,5 cm. Diameter 15,4 cm.
Ifylld nagg, polerad kant.
Proveniens
From the collection of Karl Rientze Hugosson (1929-2015), thence by descent. Karl started his career at an early age in Gothenburg working for Swedish Customs; his work was within clearing antiques and works of art from abroad. At this time of course Gothenburg was an important port were much of the items from Europe arrived. This is where the passion for antiques and Asian art was born, and especially the interest in Chinese Works of Art that became a lifelong passion. After retirement he held lectures about Chinese porcelain and became a guide for travel agencies that took Swedish citizens to China. In an interview with Karl Hugosson in article in Antik & Auktion of 7/8 1992, he says ‘I had a first-row seat in the antique trade/ import during the era after World War II.
Utställningar
Compare a stemcup like this one sold at Sothebys, lot no 526. Important Chinese Art
21 March 2018 • New York.
Litteratur
Compare; aslo with a Yongzheng mark and period stem bowl featuring a Ming-style lotus design in the National Palace Museum, Taipei, illustrated in Blue and White Wares of The Ch'ing Dynasty, vol. I, Hong Kong, 1968, pp 90-91, pl. 13.
Övrig information
This elegant bowl epitomises the Yongzheng Emperor’s taste for classic styles of the past, his interest in their reinterpretation, and the pursuit of outstanding quality. The Yongzheng Emperor (r. 1723-1734) took a keen interest in the work of various imperial manufactories in his empire and particularly the imperial kilns at Jingdezhen, where artistic direction was led by his personal taste. Through his brilliant kiln supervisor, Tang Ying, the Emperor pursued a distinctive style and refinement; studying celebrated wares of the past and fine-tuning their shapes to harmonious proportions to develop sophisticated designs full of vitality and vigour.