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Mina (Vilhelmina) Carlsson-Bredberg

(Sverige, 1857-1943)
Mina (Vilhelmina) Carlsson-Bredberg
(Sverige, 1857-1943)

Mina Carlsson-Bredberg, etsning med akvarell.

Uppenbarelse. P. 24.7 x 17.9 cm. Utförd omkring 1915. Troligtvis unikt.

Ej examinerad ur ram.

Proveniens

Ernst Georg Carlson Bredberg (1897-1963), konstnärens son
hans dotter Anna Stina Bredberg (1925-1993), Stockholm

Utställningar

Stockholm, Stockholms Stadsmuseum, Mina Carlson Bredberg (1857-1943): från Lidingö till Björnholmen, 1971

Övrig information

Between 1883–1889, Mina Carlson-Bredberg studied at the Académie Julian in Paris. In 1884 she painted Académie Julian with mademoiselle Beson drinking som dricker ur sitt glas, which shows three artist women behind their easels. The painting mirrors the collegial contacts and sometimes lifelong friendships that were forged across national borders. Among Mina Carlson-Bredberg’s Parisian friends were the Swedish Elisabeth Keyser and the successful German-Swiss Louise Catherine Breslau. In 1886 she painted her famous self-portrait (Prins Eugen’s Waldemarsudde). However, her great breakthrough came with another self-portrait, that received an honourable mention at the great World Exhibition in Paris in 1889. In 1890, she left Paris and returned to Sweden, but made a number of study trips the following years to Italy, England, Holland, Belgium, Germany and Austria. In France, she got to know Lewis Foreman Day, engaged in the Arts and Crafts movement. She visited him and his wife repeatedly in London and through them also came in contact with William Morris and Walter Crane. She herself considered as significant her meeting with English impressionism and James McNeill Whistler’s painting. Her early low-key style with its emphasis on form gradually took on more impulses from impressionism, developing into a looser, freer, and, as years passed, ever more personal, colourful and expressive style. Between 1893–1895, She taught at Elisabeth Keyser’s school of painting. In 1895, she married Georg Carlson, an official, and they had one son.
Mina Carlson-Bredberg was one of the initiative-takers of the women artists’ association (Föreningen Svenska konstnärinnor) which had its debut exhibition at the Royal Swedish Academy of Fine Arts in 1911. She participated in its exhibitions in 1917 and 1927, then with a retrospective section. In 1920 and 1923 she exhibited at Sigge Björcks konsthandel at Strandvägen in Stockholm and in 1931 at Galerie Moderne, Ett halvsekel som målarinna (Half a Century as painter). In this exhibition she showed 152 works. Mina Carlson-Bredberg has also participated in group exhibitions in Chicago, London and Vienna. She was represented in the exhibition Opponenterna at Nationalmuseum in 1945.

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