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Herb Ritts

(United States, 1952-2002)
Estimate
40 000 - 50 000 SEK
3 580 - 4 470 EUR
3 770 - 4 720 USD
Hammer price
60 000 SEK
Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist Photographs and Contemporary Art
+46 (0)702 63 70 57
Herb Ritts
(United States, 1952-2002)

"Richard Gere, San Bernardino, 1979"

Signed Herb Ritts and numbered 22/25. Also with embossed Copyright mark. Gelatin silver print, image 43 x 33.5 cm.

Provenance

Tres Hombres Art, Halmstad.

Exhibitions

Another example was exhibited at:
The J. Paul Getty Museum at the Getty Center, Los Angeles, “Herb Ritts: L.A. Style”, 3 April – 2 September 2012.
Cincinnati Art Museum, “Herb Ritts: L.A. Style”, 6 October 2012 – 1 January 2013.
The John and Mable Ringling Museum of Art, Sarasota, 23 February – 19 May 2013.

Literature

Herb Ritts, "Herb Ritts: Work", 1996, illustrated.

More information

In 2011 the Getty Museum announced the acquisition of 69 photographs by famed fashion and celebrity photographer Herb Ritts. The acquisition includes photographs of nudes, celebrity portraits, and images made for high-fashion ad campaigns.
A portrait of Richard Gere as a budding young actor taken by Ritts in 1977 is one of the highlights, but it also has an interesting backstory. In an interview with François Quintin in 1999, Ritts talked about this famous picture of his friend Richard, which depicts Gere as a new American hero—and which launched Ritts’s photography career. Here’s an excerpt from the interview, posted on the Herb Ritts Foundation’s website:
“I knew Richard’s girlfriend, Penny, who was an actress, and she introduced me to Richard. Actually, when I first started dabbling in photography, I was still working for my parents as a salesman. Penny was supposed to come to my house to take a head shot, but she never showed. Richard arrived; he was going to meet her there. I asked if I could take a picture of him, and he said no—he was very shy and had very long hair—but finally I did. A week or so later, we were driving around in Penny’s car and got a flat tire and ended up in a desert gas station, where we took pictures. Later that year, Richard told his new publicist, “Oh, Herb took a couple of rolls of me.” He had fairly well-known photographers shooting him already; it happened quickly for him. So I sent the negatives and forgot about it. What did I know? I wasn’t a photographer. Three months later, the pictures appeared in American “Vogue”, “Esquire”, and “Mademoiselle”. Big spreads. One day soon thereafter, “Mademoiselle” tracked me down and asked me to do Brooke Shields, and I said sure. I didn’t say I wasn’t a photographer."

Desiree Zenowich, The Iris, 10 augusti 2011