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A blue and white transitional dish, 17th Century. With hallmark to base.

A blue and white transitional dish, 17th Century. With hallmark to base.A blue and white transitional dish, 17th Century. With hallmark to base.
A blue and white transitional dish, 17th Century. With hallmark to base.A blue and white transitional dish, 17th Century. With hallmark to base.
A blue and white transitional dish, 17th Century. With hallmark to base.A blue and white transitional dish, 17th Century. With hallmark to base.
A blue and white transitional dish, 17th Century. With hallmark to base.A blue and white transitional dish, 17th Century. With hallmark to base.
A blue and white transitional dish, 17th Century. With hallmark to base.
A blue and white transitional dish, 17th Century. With hallmark to base.
A blue and white transitional dish, 17th Century. With hallmark to base.
A blue and white transitional dish, 17th Century. With hallmark to base.
Lähtöhinta
6 000 - 8 000 SEK
536 - 715 EUR
566 - 755 USD
Vasarahinta
9 500 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
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A blue and white transitional dish, 17th Century. With hallmark to base.

Decorated with birds in a garden, with the hallmark '笔花斋制' (Bihua Zhaizhi, made by the studio of floral pen) to the base. Diameter 21,5 cm.

Small chip, minor wear.

Alkuperä - Provenienssi

The Stenbeck Collection Part II.

The Stenbeck Collection Part II. The collection as a whole comprises a wide range of Chinese porcelain produced during the late Ming and early Qing dynasty for the domestic, Japanese and European markets. The collection concentrates on porcelain produced during the interregnum years between the two dynasties. But as an academic collector you can clearly see how he during the years has spanned it further ahead and dived backwards to fulfill the collection.

Mr Stenbeck is an active member of the Swedish Oriental Ceramics society and has been very generous with his knowledge about the transition period, and given numerous lectures of the interesting and often amusing and quixotic development of the free methods of expression, both in decoration and shapes that appears in this period.

The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name “The Liberated Brush”. This name alludes from the withdrawal of Court patronage and greater artistic freedom enjoyed by artisans as they responded to changing commercial pressures at a time of economic and political uncertainty in China.

Näyttelyt

The collection was exhibited at the Heinola Museum in Finland in 2000, under the exhibition name “The Liberated Brush”.

STENBECK COLLECTION PART II
STENBECK COLLECTION PART II
No 439 – 486, 539 – 541