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A Japanese Bugaku mask 'Sanju', Meiji period (1868-1912).

Estimate
4 000 - 6 000 SEK
363 - 545 EUR
386 - 580 USD
Hammer price
3 000 SEK
Purchasing info
For condition report contact specialist
Cecilia Nordström
Stockholm
Cecilia Nordström
Head Specialist Asian Ceramics and Works of Art, European Ceramics and Glass
+46 (0)739 40 08 02
A Japanese Bugaku mask 'Sanju', Meiji period (1868-1912).

Height 28,5 cm.

Damages, wear.

Provenance

The Bengt and Lilavati Häger Collection of Indian Collection of Indian, Southeast Asian, Chinese and Japanese Art.
.

Lilavati and Professor Bengt Häger’s art collection was culturally significant and vast. It is clear that it was founded on the couples cross cultural experiences. Lilavati was a leading exponent of Indian dance and Bengt one of the most important European Impresarios of his day.
Multitalented and highly regarded Bengt Häger (1916-2011) worked inexhaustibly throughout his life to promote dance as an independent art form and field of research. He founded and managed the Swedish Dance Museum, the University Collage of Dance and Circus in Stockholm. He worked actively to bring international guest performances from world leading dance companies. Organized international torus for Swedish dance companies such as the Cullberg Ballet, which he managed 1967-1987. He was the first to bring Peking Opera out of China after the revolution and was a great friend of the renowned Peking Opera singer Mai Lanfang.
For many years Mr Häger was the closest friend and collaborator of the famous Art Collector Rolf the Maré (1888-1964), founder of Ballet Suedois in Paris. Bengt was also involved with UNESCO and founded the Centre International de Dance.
Lilavati Devi (1925-2002). First came to Sweden as a principal performer of the dance company set up by Ram Gopal (1912-2003), the Nijinsky of India. Bengt and Lilavati married in 1954. She became an important ambassador of Indian Dance in Scandinavia. They couple came to inhabit a circle that included some of the major international dancers, performers and choreographers of the last Century.

More information

Bugaku masks are used in bugaku, a preforming art that flourished in Japan from the Heian period (792-1185) and onwards adn which featured dance together with court music.

The music and dance of bugaku originated in China, the Korean peninsula and Vietnam. These were introduced to the Japanese Imperial court, from where the bugaku spred to shrines, temples and throughout the country.

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