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Autumn Classic Sale 565 Tukholma16961698
1697
270820

A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).

A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).
A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).
A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).
A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).
A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).
A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).
Lähtöhinta
60 000 - 80 000 SEK
5 230 - 6 980 EUR
5 470 - 7 300 USD
Vasarahinta
50 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
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A yellow glazed blue and white lotus dish, mark and period of Yongzheng (1723-35).

Diameter 21,5 cm.

Restored.

Alkuperä - Provenienssi

The Thomax Collection.

The collection was formed by the Art Collector and Conneisseur Professor Leif Sourander, Åbo, Finland from the 1960’s to the 1990’s. The collection was exhibited at the Arabia Museum in Helsinki during the period 2/9 – 30/10 1994. The Exhibition Catalogue was written by Bo Gyllensvärd, Heikki Hyvönen, Marjut Kumela, Leif Sourander and Jouko Tiainen. The collection was then sold as a hole to the present owner, thence by descent.

Näyttelyt

Arabia Museum, Helsinki, Finland. 1994.

Muut tiedot

This striking style was achieved by painting in underglaze-blue, applying a normal colourless porcelain glaze and firing the piece. After firing, the yellow enamel was applied to the ground area, carefully avoiding all the areas with blue-underglaze painting. The piece was then refired.