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A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.

A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.
Lähtöhinta
50 000 - 75 000 SEK
4 410 - 6 620 EUR
4 600 - 6 910 USD
Vasarahinta
150 000 SEK
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A fine thangka in Karma Gadri style of Yamantaka Vajrabhairava, Tibeto-Chinese, 17th/early 18th century.

Colour pigmnet on cotton, 64 x 47 cm. Silk-framing, 133 x 73 cm.

Wear, minor defects.

Alkuperä - Provenienssi

From an important Swedish collection of Buddhist art, Stockholm. See also lot 141, 193 and 198.

Kirjallisuus

Compare: Marilyn M. Rhie/Robert A. F. Thurman; Worlds of Transformation. Tibetan Art of Wisdom and Compassion, p. 375, no 138.

Muut tiedot

This powerful Yamantaka in Father-Mother form, is masterfully portrayed in a spring-like landscape, and with seven faces on his main buffalo head, a smaller blood-red head above and a head of Manjusri above that, and with thirty-four arms and sixteen legs. He is standing upon eight animals and eight birds, whose bodies rest upon the eight world deities, who are held down on the solar disc. He holds in sexual union the one faced, two armed Vajravetala ("Diamond Zombie").

"This manifestation of Manjushri is the central archetype deity relied upon by Tsong Khapa. It is the fierce archetype of wisdom's triumphal conquest of death - seeing through the pretense of intrinsically real substance and hence the pretense of the destruction of substance. In killing death, wisdom prevents even death from dying, making death itself an immortal guardian of the blissful life"

In the sky above Yamantaka Vajrabhairava, in upper center, Manjushri is depicted.