Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Systembolaget Wine and Spirits auction D072
Huutokauppa:
Bengt Lindström 100 years F720
Huutokauppa:
The Ekegren Collection – Part II F737
Huutokauppa:
Allan Ebeling F747
Huutokauppa:
Selected Gifts E1277
Huutokauppa:
Modern Scandinavian Ceramics E1215
Huutokauppa:
Swedish Art Glass – Winter Edition E1218
Huutokauppa:
Birger Kaipiainen – The Poet of Ceramics E1276
Huutokauppa:
359
1349854

A Russian porcelain Easter Egg, 19th Century, presumably Imperial Porcelain Factory, St Petersburg.

Lähtöhinta
8 000 - 10 000 SEK
748 - 935 EUR
850 - 1 060 USD
Vasarahinta
16 000 SEK
Tarjouksen tekeminen vaatii erillisen hyväksynnän
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
A Russian porcelain Easter Egg, 19th Century, presumably Imperial Porcelain Factory, St Petersburg.

Painted and gilded decoration of flower boquets within roundels, the two roundels are bound together by gilded and cisceled cartousches. Heigth 9,5 cm.

Wear.

Alkuperä - Provenienssi

The private Collection of Nils Nessim (1916-1974), thence by descent.

Nils Nessim (1917-1974), was a Swedish businessman and carpet dealer, son of the Director and Carpet specialist Jean B Nessim (1887-1946). In 1942 he founded AB Nils Nessim in 1942, he expanded and in the 1960’s he founded Nils Nessim International and Nils Nessims Antiques. Nils were early schooled in the carpet business by his father, and went on many business trips to aquire carpets and goods for the stores. He travelled the world and built up an impressive collection of Antiques and Asian Works of Art alongside the carpet business. In 1959 he became the first westener to be allowed to export antiques from China. He is well known for his collection of Russian Easter Eggs, and at one point he is said to have had over 1000 of them.

Kirjallisuus

During the second quarter of the nineteenth century, a number of virtuoso porcelain painters specialising in floral decoration worked for the Imperial porcelain factory, such as A. and I. Tychagin, K. and F. Krasovsky and others. The designs were based on close observation of nature: the artists were regularly sent to botanic gardens to study the plants. Models for copying were also provided by engravings in botanical atlases.