Ei yhteyttä palvelimeen
306
1391551

Anders Krisár

(Ruotsi, Syntymävuosi 1973)
Lähtöhinta
350 000 - 400 000 SEK
30 500 - 34 900 EUR
31 900 - 36 500 USD
Vasarahinta
275 000 SEK
Kuuluu jälleenmyyntikorvauksen piiriin

Lain mukaan ostaja maksaa tästä taideteoksesta taiteilijapalkkion. Enimmäismaksu on 5 %. Mitä korkeampi myyntihinta, sitä pienempi prosenttiosuus. Lisätietoja tästä laista:

Taiteen jälleenmyyntikorvaus Suomen : Kuvasto
Taiteen jälleenmyyntikorvaus Ruotsissa: BUS

Tietoa ostamisesta
Kuvan käyttöoikeudet

Tämän tietokannan taideteokset ovat tekijänoikeudella suojattuja, eikä niitä saa kopioida ilman oikeudenhaltijoiden lupaa. Teokset kopioidaan tässä tietokannassa Bildupphovsrättin lisenssillä.

Lisätietoja ja kuntoraportit
Louise Wrede
Tukholma
Louise Wrede
Asiantuntija, nykytaide, Private Sales
+46 (0)739 40 08 19
Anders Krisár
(Ruotsi, Syntymävuosi 1973)

"Untitled"

Signed Krisár and dated 2011-12. Edition 1/3 +2 AP. Acrylic paint on polyester resin, polyurethane, board, oil paint, and screws. 109 x 39.4 x 68 cm.

Alkuperä - Provenienssi

Acquired from the artist.
Private Collection, Stockholm.

Muut tiedot

Anders Krisár (b. 1973, Stockholm) studied at Konstfack University of Arts, Crafts and Design in Stockholm and the School of Communication Arts in London, and as a composer at New York University. He previously worked as an Art Director and started on his artistic path via photography. Krisár is a perfectionist and his sculptures are well-polished depictions of androgynous bodies.

An exhibition text from the Christian Larsen Gallery reads:
The pursuit of an impossible perfection and purity marks Anders Krisár’s entire artistic oeuvre. In an early interview, in connection with publishing of his award-winning photographic book Chords No. 1-17 , Krisár expresses: I want to achieve absolute purity, to depict a world without people and thoughts. Since then, Krisár has included people in his artistic universe, but he chose to put them in a form as pure as was physically possible.
However, Krisár’s stripped, de-sexed and mute sculptural figures reveal something about a human emotional state that is far from "clean". Krisárs sculptures with child torsos with deep imprints of an adult hand, or bodies split in two, holding hands with the other half - are in fact obsessively polished ”Gordian knots" of hurting, longing, splitting, and yearning to reunite. According to neurobiology and modern psychology, the pursuit of absolute purity and perfection is the brain's way of compensating for the inner emotional turmoil, and Krisár’s art seems to be a physical manifestation of this contradiction.