Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Helsinki Spring Sale F613
Huutokauppa:
Classic Art Online F667
Huutokauppa:
Contemporary Art Online – Summer Edition F639
Huutokauppa:
Kenneth Gustavsson – Images of Silence E1206
Huutokauppa:
A collection of silver art by Lars Arby E1168
Huutokauppa:
Swedish Modern Lighting – Summer Edition E1144
Huutokauppa:
Garden Party E1208
Huutokauppa:
Fashion June Edition E1163
Huutokauppa:
1037
1431583

A green glazed tripod censer, Han dynasty (206 BC - 220 AD).

Lähtöhinta
4 000 - 6 000 SEK
377 - 566 EUR
415 - 622 USD
Vasarahinta
3 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
A green glazed tripod censer, Han dynasty (206 BC - 220 AD).

Tripod on three animal shaped legs, decorated with mascaron handles, and horizontal bands. A green glaze. Diameter 20 cm. Height 15 cm.

Damages, repairs.

Alkuperä - Provenienssi

Bukowskis auction 583:582.

Sigge Björcks Konsthandel A.-B. Stockholm, lot no 349. The Auction after C. E. Gadelius, 2-3 december 1926.

From the Collection of Carl-Erik Gadelius (1866-1928). Thence by descent. Carl-Erik Gadelius was a Swedish Businessman who in 1886, travelled to Sumatra with his well-known brother Knut Gadelius (founder of Gadelius & Co) and set up a plantation and gem trading business. They had offices in Singapore, Yokohama and Osaka. Carl-Erik Gadelius had a great passion of Asian antiques and participated in several excavations and started an import business with antiques as well. A large part of his collection was sold at Sigge Björks Konsthandel in 1926. But part of the collection remained within the family.

Kirjallisuus

Catalgoue accompanies the piece.

To compare with a bronze tripod from the Han dynasty, see lot 215, Bonhams/Cornette de Saint Cyr, La Collection Robert & Jean-Pierre Rousset d'Art Asiatique. Paris 25-26 Octobre 2022.

Muut tiedot

The taotie mask design decorating the ring handles and the three bears shaping the feet were probably aimed at protecting the deceased against the evil influences they may encounter inte their afterlife.