In Sundborn, Dalarna, the river flooded every year in spring. In the current painting "Vårflod/Översvämning" from 1902, Carl Larsson has captured the phenomenon and let it frame this tender family portrait. While his wife Karin sits on a chair with Esbjörn on her lap, his daughters run around exploring the flood. The water has created a temporary island where the family can enjoy the warmth of the spring sun.

Family and nature are two recurring themes in Carl Larsson's work and in "Vårflod/Översvämning" we see him masterfully exploring both. Carl Larsson began his family portraits in earnest in 1889 when he moved his family into the cottage Lilla Hyttnäs in Sundborn outside Falun. Over the next ten years, the family would live in both Stockholm and Sundborn. In Stockholm, Carl Larsson worked on large commissioned works such as the National Museum's murals, while in Sundborn he devoted himself to depicting his immediate surroundings and the people around him.

Carl Larsson found nature as a motif much earlier in his career, during his early years in France. Between 1882 and 1885, he lived in the village of Grez-sur-Loing with other Swedish and Scandinavian artists and together they explored the new landscape painting that had emerged in France in the second half of the 19th century. On his return to Sweden, he wrote that he had now 'given a big hand to nature [...] The brooding, brown herd will now be the object of my painting'.

"Vårflod/Översvämning" is a declaration of love for both family and nature. While depicting Karin's love for Esbjörn and her daughters' vital curiosity, he also captures the rich brown vegetation of spring with its stately birches and rippling water.