During the latter part of the 19th century, the Kirman workshops in southeastern Persia developed a particularly sophisticated group of carpets intended for the European market. These carpets are characterised by a conscious adaptation to Western decorative ideals, primarily the design language of the French Aubusson carpets.

In the present example, the traditional Persian medallion composition has been replaced by an open field decorated with naturalistic floral bouquets, sweeping vines, and bows, clearly inspired by French prototypes. The colour palette is dominated by soft pastel tones such as ivory white, pale pink, and light blue, which further emphasise the connection to the Aubusson tradition.

Despite this European influence, the carpet remains deeply rooted in the Kirman tradition through its fine wool quality, high knot density, and subtle colour shading. The result is an elegant hybrid work that reflects the intense artistic exchange between Persia and Europe in the 19th century.