Wes Wilson, concert posters, a pair, West Coast Lithograph, 1967.
A copy signed and dated in the print. Offset lithograph, sheet size 56.3x34.9 cm. "Bill Graham presents The Byrds, Moby Grape, Andrew Staples live at Winterland, Fillmore Auditorium", and, offset lithograph, sheet size 34.4 x 35.5 cm, "Bill Graham presents Buffalo Springfield, The Steve Miller Blues Band, Live at the Fillmore". Likely the first edition.
Pieniä kulumia, pieniä naarmuja reunoissa. Pieniä käsittelyvikoja. Kulma.
According to information, purchased in San Francisco in the 1960s.
Heavily influenced by stylistic elements from Art Nouveau and with psychedelic's melting typography, Wes Wilson left an unmistakable mark on the aesthetics of the late sixties. With adjacent complementary colours and expansive compositions, his works become a kind of popular culture's equivalent to the older art history's horror vacui. This is particularly evident in record covers, or, as in the auction's concert posters, promotional material for Bill Graham's various events at, among others, San Francisco's Fillmore Auditorium – where bands like The Velvet Underground, Doors, and Jimi Hendrix Experience performed. Or, the Grateful Dead, who between 1965 and 1969 played over fifty shows at the venue. His influence affected contemporary artists such as Rick Griffin and Stanley “Mouse” Miller and helped establish a style that remained highly vital into the following decade.
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