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Taysir Batniji(Palestine, State of, Syntymävuosi 1966)
Taysir Batniji, "Sans titre"
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Taysir Batniji, "Sans titre"

Executed in 1998. Mixed media with collage on panel, 270 x 135 cm.

Insignificant surface wear. Minor scratches and small losses of paint. Wear along the extreme edges of the panel.

Alkuperä - Provenienssi

Konstakademien, Stockholm, purchased by the family of the present owner in connection with the exhibition.

Näyttelyt

Konstakademien, Stockholm, "Palestinian Art", 1998.

Kirjallisuus

Ulf Moberg, "Palestinian Art", 1998, illustrated p. 35.

Muut tiedot

Taysir Batniji, born in Gaza, trained as a painter at An-Najah National University in Nablus, prior to continuing his studies in France at the École Nationale Supérieure d'Art de Bourges, and the École Supérieure d'Art et de Design Marseille-Méditerranée. His work incorporates drawing, video, photography, and installation, and has been shown widely in Europe and the Middle East, including at the Venice Biennale, Jeu de Paume in Paris and Kunsthalle Wien.
In “Home Away from Home”, an exhibition and a book published by Fondation d'entreprise Hermès in alliance with Aperture Foundation, Batniji brings together photographs, selections from family archives, videos, drawings, and writings to explore the sense of dislocation and the different ideas of "home" experienced by various members of his family who immigrated to the United States from the Middle East.
“As Batniji explains, "The state of 'between-ness'--cultural as well as geographic--is an issue that has preoccupied me since I first arrived in France in 1995. Exile, displacement, and mobility are themes that have driven my work for many years."
The work Batniji has created, during visits to Florida and California, strives to connect to and understand his "American cousins" through their daily lives, the objects that surround them, and the homes they have made. The resulting photographs and portraits, interviews, and sketches from memory of the family homestead in Gaza question what it means to share a history, even among relative strangers--and what happens to a sense of the past and of belonging when opting for new identities and new homes.”

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