The impression of Kandinsky's Composition 6, which GAN saw at the Erster Deutscher Herbstsalon in Berlin in the autumn of 1913, is believed to have had particular significance for his subsequent use of colour. Ahlstrand emphasises that this was GAN's first direct encounter with a completely abstract painting – an experience that likely had a significant influence as he laid the foundation for his modernist pictorial world during these crucial years.
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