"Vinterutsikt från Aspudden mot nordost"
Signed Peter Dahl and dated 1993 on verso. Canvas 170 x 200 cm.
The family of the artist.
Konstnärshuset, Stockholm, 1994.
Prins Eugens Waldemarsudde, Stockholm, "Peter Dahl - Se tillbaka och blicka framåt", 20 March - 24 May, 1999, cat no 100.
Zornmuseet, Mora, "Peter Dahl", 3 December 2011 - 11 March 2012.
Sven-Harrys Konstmuseum, Stockholm, "Peter Dahls världar", 4 May—19 August 2018.
Folke Edwards, "Peter Dahl", Stockholm, 1996, illustrated in colour p. 143.
Exhibition catalogue, Zornmuseet, Mora, "Peter Dahl", 3 December 2011 - 11 March 2012, mentioned and illustrated p. 74-75.
Exhibition catalogue, Sven-Harrys Konstmuseum, Stockholm, "Peter Dahls världar", 4 May—19 August 2018, illustrated in colour p. 123.
In the beginning of the 1990s Peter Dahl started to paint large canvases depicting his magnificent view from his studio in Aspudden, south of Stockholm. His take is more impressionistic than expressionistic, and he studies his subject in different seasons with great patience. Dahl doesn’t embellish or mystify the natur. He looks at it with a distant gaze without sentimental or mysterious feelings, nature is his model and object of study. “Vinterutsikt från Aspudden mot nordost (Winter view from Aspudden to the northeast)” is one of the most significant landscape depictions of Swedish art in the 1900s.