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Sven X:et Erixson

(Sweden, 1899-1970)
Estimate
40 000 - 50 000 SEK
3 610 - 4 510 EUR
3 880 - 4 850 USD
Hammer price
34 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

Sven X:et Erixson
(Sweden, 1899-1970)

"Torg i Sarajevo"

Signerad Sven Erixson och daterad Sarajevo 1930. Duk 65 x 82 cm.

Exhibitions

Unionalen, Köpenhamn, 1931, nr 5.

More information

1929-1930 reser X:et runt i Europa, han besöker Spanien, Österrike och Jugoslavien. Staden Sarajevo fångar särskilt hans intresse och några mustiga och spännande skildringar av den sydländska staden tillkommer, jämför "Kopparslagaregatan i Sarajevo" (Göteborgs Konstmuseum).

Designer

Sven Erixon, today more commenly known as X, was born in 1899 in Stockholm. He studied to become a decoration painter and art teacher at the Technical School in Stockholm after which he studied at the Higher School of Art and Design alongside study trips to Germany, France, Italy, Spain and North Africa. Despite being an inportant artist amoungst Swedish art, Erixon does not let etiquette and style limit his painting style. His greatest creation is defined by a tempremental style in stark colour patterns. Erixon's paintings balances between impressive, somewhat brutal expressions and a soft lyricism. He is one of the founders of the group Färg och Form, whose primitivist faction he belonged to. With an aura of narrative joy, Erixon recounts his experiences. He had an irresistable desire to share everything that he saw. He was inspired, much like Bror Hjorth of both folk art and mural painting from the middle ages, while also finding inspiration from German expressionism. But he speaks with greatest esteem about Chaim Soutines art. In a multitude of paintings, he conveyed his zest for life, with surfaces filled with swiftly captured figures. During the 1930s, his visual world was filled with family and the idyllic torpor, his canvas became greater and more complete. During the war he painted on butter paper, not only for practicalities sake, but also to take advantage of the slippery reflective surface which the paper supplies. Narration decreased in the 1950s when he was influenced by spontaneity, which in the following years led him to abstract spontaneous painting.

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