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172(756277)
Ann Edholm(Sweden, Born 1953)
"At The Back Of Silence I"
Hammer price
200 000SEK
Estimate
200 000 - 250 000 SEK

"At The Back Of Silence I"

Signed Ann Edholm och daterad 2009 a tergo. Oil on canvas 262 x 232 cm. From the series "Tongue on the Tip".

Provenance

Galerie Nordenhake, Berlin/Stockholm.
Private collection, Stockholm.

Exhibitions

The Stenersen Museum, Oslo, "Carnegie Art Award 2012", 18 November 2011 - 29 January 2012. The exhibition travelled to Stockholm, Helsinki and Lyngby in Denmark.
Galerie Nordenhake, Berlin, "At The Back Of Silence", 7 March - 25 April 2009.

Literature

Tom Sandqvist (ed), "Ann Edholm 2001-2011. Kropp och språk, rum och bild", 2012, illustrated on spread 218-219.
"Carnegie Art Award 2012", 2011, catalogue, illustrated on spread p. 64-65.

More information

2012 tilldelades Ann Edholm Carnegie Art Awards andrapris. Hon har även fått det prestigefulla uppdraget att utsmycka FN:s ECOSOC-sal i New York. Utsmyckningen består av en stor ridå, i vitt och orange, som hänger längs fönsterväggen i salen. Edholm var professor i måleri vid Kungliga Konsthögskolan 1992–1998 och är sedan 1999 medlem av Konstakademien. Edholm har haft flertalet separatutställningar såväl inom Sverige som internationellt. Hon finns representerad i samlingarna hos, bland annat, Moderna Museet, Norrköpings Konstmuseum, Malmö Museum och Göteborgs Konstmuseum.

More about Ann Edholm

Ann Edholm is a visual artist and printmaker, born in 1953 in Saltsjöbaden. He studied at Gerlesborgsskolan in Stockholm from 1970 through to 1980, and also studied at the Royal Academy of Fine Arts in Stockholm between 1981 and 1986. He was also a professor at the Royal Academy of Fine Arts and the Valand Academy in Gothenburg. They were awarded second prize at the Carnegie Art Award in 2011. Ann Edholm is one of the most interesting artists in Swedish modern art with her realistic abstractions. She paints geometric forms in stark colours with starting point in surface - color - chance - limitation - precision - transparency. The colourscheme in every composition is limited to a finite number of colours. Her works become eevated calm and a reverent silence. Her artworks remain untitled to avoid every connection with reality.

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Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

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