Originally in Ruth Kylberg's collection, Stockholm.

Liljevalchs Konsthall, Stockholm, March-April 1954, no. 95.
Riksförbundet för bildande konst, travelling exhibition no. 143, "Carl Kylberg. Minnesutställning", 1955.
Nordiska Konstförbundet and Kunstforeningen i Köpenhamn, Copenhagen, "Mindeudstilling", 17 November - 16 December 1956, no. 34.
Aarhus permanente Udstilling, Denmark, "Mindeudstilling", January 1957.
Fyens Stifts Kunstforening, Odense, Denmark, "Mindeudstilling", February 1957.
Konstakademien (Royal Academy of Arts), Stockholm, "Carl Kylberg", 2-25 November 1962, no. 69.
Moderna Museet (Museum of Modern Art), Stockholm, 1976, exhibition no. 140, no. 35.
Malmö Konsthall, Sweden, 17 December 1977 - 26 February 1978, no. 66, illustrated full page in colour p. 66.
Svensk-Franska konstgalleriet, Stockholm.

Brita Knyphausen, "Carl Kylberg", 1965, reproduced p. 219, listed in the catalogue under years 1931-1940, no. 199, p. 253.
"Carl Kylberg 1878-1952. Paintings, Water Colours and Drawings", exhibition catalogue, Malmö Konsthall, Sweden, 1977, reproduced full page in colour, image 66.

Carl Kylberg, 1878-1952, is considered a seminal figure in the Swedish 1900-century art. He was a student at the architecture department at Berlin University and then a student of Carl Wilhelmson at Valand art school in Gothenburg.

Kylberg broke through late, made his debut as a painter in 1919 with the February group at Liljevalchs. He became known to a wider public by the age of 50, but continued to be controversial as an artist. He had a permanent artistic antagonist of Isaac Grünewald and the same year as the Nazis in Germany set up the decisive blow against Entartete Kunst and practically the whole of modernism, Swedish government stopped the purchase of the painting "Uppbrottet" of the National Museum in Stockholm.

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

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