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Contemporary 599 Stockholm113115
114
906650

Gabriele Devecchi

(Italy, 1938-2011)
Gabriele Devecchi, Untitled from Édition MAT 65.Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.
Gabriele Devecchi, Untitled from Édition MAT 65.
Estimate
15 000 - 18 000 SEK
1 310 - 1 570 EUR
1 370 - 1 640 USD
Hammer price
50 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist Photographs and Contemporary Art
+46 (0)702 63 70 57
→ Sell with Bukowskis
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Gabriele Devecchi
(Italy, 1938-2011)

Untitled from Édition MAT 65

Edition MAT collection 1965. Signed and numbered 32/100 on verso on label. Kinetic object: metal disc, plexi glass and electric motor, diameter 46 cm.

More information

Den schweiziske konstnären Daniel Spoerri, medlem av konstnärsgruppen Nouveau Réaliste, grundade år 1959 Edition MAT (Multiplication d’Art Transformable), ett banbrytande förlag. Man gav ut konstverk i upplagor om 100, men i själva verket kan varje objekt räknas som unikt på något sätt. Många var handgjorda, kinetiska eller transformerbara på något sätt. Tanken var att ge ut verk som ”optically, electrically, or through the physical intervention of the spectator, and presenting an infinite number of variations or aspects.” Genom att sälja dessa multiplar till mer modesta priser än originalverk, kunde man göra konst av några av 1900-talets viktigaste konstnärer (Duchamp, Man Ray, Christo, Jean Tingely och Niki de Saint Phalle) mer tillgänglig för en bredare publik.