No connection to server
Theme auctions online
Selected Fashion – A Private Collection F771
Auction:
Arts of Asia – In the year of the Fire Horse F707
Auction:
Selected Jewellery – Valentine’s F766
Auction:
Contemporary Art Online – Winter Exhibition F710
Auction:
Classical Antiques F757
Auction:
Modern Art Online – Winter Exhibition F768
Auction:
Kitchen Stories E1284
Auction:
A Token of Love E1285
Auction:
Live auctions
Contemporary Art & Design 670
Auction: April 21−22, 2026
Important Timepieces 671
Auction: April 21, 2026
Modern Art & Design 672
Auction: May 20−21, 2026
Important Spring Sale 673
Auction: June 10−12, 2026
1
911754

A Gustavian bed "Lit à l'anglaise", attributed to Erik Öhrmark (master in Stockholm 1777).

Estimate
50 000 - 75 000 SEK
4 870 - 7 310 EUR
5 660 - 8 490 USD
Hammer price
115 000 SEK
Bidding requires special pre approval.
Purchasing info
A Gustavian bed "Lit à l'anglaise", attributed to Erik Öhrmark (master in Stockholm 1777).

Gilt and bronzed. Sculptured decor. Bed sky with plum and ribbon. Bed with quiver, torch and laurel-wreath. Brass castors. Red velvet purchased in France in the late 1940s by Karl Gustav Lagerfelt. The length of the bed 195, width 89, height 131 cm. Inner length 186, extandable depth 156 cm.

Minor wear.

Provenance

Säbylund, Närke.
The lot included in Claes de Frietzcky's own inventory 1789 "List of Furniture at Säbylund and what they cost in purchasing with transport", the Royal Library.

Literature

Slott och herresäten i Sverige, Närke, Säbylund, Allhems förlag 1969, the lot pictured page 215.

Svenska slott och herresäten i Sverige vid 1900-talets början, 1910, Närke, Säbylund, text av Eugène Lewenhaupt, the lot pictured page 29.

More information

Claes de Frietzcky's inventory at Säbylund from July 11, 1789, includes the gilded Gustavian bed. From an art historical perspective it is interesting that the bed is mentioned by Claes Frietzcky as Gustavian. It is seldom a furniture style gets its name during its time. Until 1900, the bed had a very symbolic significance for the family's survival. In the middle of the bed frame there is a carved decorative element consisting of a torch, an arrow and a laurel wreath.) The torch, with the fire of love, was an emblem of Eros and Aphrodite. The quiver contained Eros arrows and the laurel wreath symbolized durability and victory. The bed had an important symbolic meaning until 1900 when the bridal couple after the wedding was led to the bed by the guests.