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Maria Friberg

(Sweden, Born 1966)
Estimate
60 000 - 80 000 SEK
5 320 - 7 100 EUR
5 560 - 7 410 USD
Hammer price
75 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist Photographs and Contemporary Art
+46 (0)702 63 70 57
Maria Friberg
(Sweden, Born 1966)

"Duration 4", 2013

Signed Maria Friberg and numbered AP 1/2 on verso. Total edition of 5 + 2 AP. C-print laminated to panel 130 x 103 cm.

Exhibitions

Another example exhibited at:
Galleri Charlotte Lund, Stockholm.
Bendana-Pinel Art Contemporain, Paris.
Connersmith, Washington DC, "Between Solitude and Belonging", 15 February – 29 March 2014.

More information

This is how this specific work and the series "Duration" was described during her solo exhibition at Connersmith in Washington DC:
"Friberg’s series of photographs, "Duration" (2012-13) pictorializes the physical and emotional effects of technology. Posing figures in historic interiors, the artist emphasizes how portable electronic devices shape our postures and structure our physical interactions with one another. Her images suggest that, as we increase our ability to communicate globally and escape into virtual worlds, our capacity to interact with one another face to face erodes. Staging adults and children in settings redolent of faded splendor, Friberg underscores the distinction between a new generation, who is growing up entirely immersed in the digital age, and an older generation who, in their youth, experienced more direct forms of personal interaction. She visualizes the disconnect between the old and new ways of communicating in the distances that separate the children from the adults, as well as in the contrast between the currency of the technological devices and the ambience of the antiquated spaces their users occupy."