Theodor ”Teto” Ahrenberg Collection; Stockholms stads auktionsverk, ”Kvalitetsauktion” / ”Svensk konst ur direktör Theodor Ahrenbergs samling”, April 20 1966, lot 394; Hans Erik Börjeson Collection.

(Possibly) Liljevalchs konsthall (Liljevalchs public art gallery), Stockholm, "Carl Kylberg", April 20 - May 12 1946, no. 170 ("Soluppgång i trädgård"); Liljevalchs konsthall (Liljevalchs public art gallery), Stockholm, ”Carl Kylberg. Minnesutställning”, March – April 1954; Musée des Beaux-Arts, Liège,”Carl Kylberg, Olle Baertling. Saison Liègoise”, May 3 – July 31 1958; Museu de Arte Moderna, São Paulo, "V Bienal de São Paulo", September 21 - December 31 1959 (possibly identical to no. 12: "NASCER DO SOL NO JARDIM").

Carl Kylberg, 1878-1952, is considered a seminal figure in the Swedish 1900-century art. He was a student at the architecture department at Berlin University and then a student of Carl Wilhelmson at Valand art school in Gothenburg.

Kylberg broke through late, made his debut as a painter in 1919 with the February group at Liljevalchs. He became known to a wider public by the age of 50, but continued to be controversial as an artist. He had a permanent artistic antagonist of Isaac Grünewald and the same year as the Nazis in Germany set up the decisive blow against Entartete Kunst and practically the whole of modernism, Swedish government stopped the purchase of the painting "Uppbrottet" of the National Museum in Stockholm.

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

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