"Black Balance", 2015
Signed Maria Friberg and numbered 4/5 on verso. C-print silicone mounted to glass 120 x 100 cm.
Provenance
Galleri Andersson/Sandström, Stockholm.
Exhibitions
Another example exhibited at:
Galleri Andersson/Sandström, Stockholm, "Piles of Dreams", 12 November - 19 December 2015.
More information
The Piles of Dreams series circles the theme of Man’s ruthless exploitation of Planet Earth, but also proposes the notion that Mankind has the possibility to create something beautiful from chaos; something constant from the destructive agenda of our age. The literal piles of “dreams” that Friberg depicts consist of drifts of mundane every-day material such as plastic toys, electrical cables or garbage that either creates a background to a portrait or a solitary suggestive landscape.
“Piles of Dreams can be interpreted as a criticism on superabundance, but I also wish to show a beautiful and abstract picture of the trails we leave behind. Our footprint turns into stories of various existences. Somewhere along the process the actual material transforms and this is what interests me. In addition, I feel a sense of hope, which I wish to convey, even though the vast masses at the recycling centre were barock”. Maria Friberg, 2015
More about Maria Friberg
Maria Friberg was a Swedish artist who primarily worked with photography and videography. Her primary theme was masculinity, whereby she investigated the traditional male adopted roles and its properties which has through history been defined as "masculine". Since her breakthrough in the 1990s alongside other female photographers who were educated at Gothenburgs photography school, Friberg has offered his growing audience enigmatic, powerful, and imaginative staged images of men. They float tranquilly in pool water, are squeezed into cars, sometimes sleeping among white sheets, or only their lower halves are visible as they sit in suits at a table. She works with staged photography and often uses art historical references. Friberg likes to work in series, varying a motif across multiple works. Some of her most well-known series are "Still Lives" and "Almost There."
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Image rights
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