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Contemporary Art & Design 619 Stockholm358360
359
1162217

Roy Lichtenstein

(United States, 1923-1997)
Roy Lichtenstein, "Seascape II" from Édition MAT 65.Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Roy Lichtenstein, "Seascape II" from Édition MAT 65.
Estimate
60 000 - 80 000 SEK
5 300 - 7 060 EUR
5 530 - 7 370 USD
Hammer price
Unsold
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The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

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Roy Lichtenstein
(United States, 1923-1997)

"Seascape II" from Édition MAT 65.

Édition MAT 1965. Signed and numbered 34/100 on label on verso. Silkscreen and die-cut collage on blue Rowlux, height 33.5, width 63, depth 9.5 cm.

Literature

Corlett 40

More information

Den schweiziske konstnären Daniel Spoerri, medlem av konstnärsgruppen Nouveau Réaliste, grundade år 1959 Edition MAT (Multiplication d’Art Transformable), ett banbrytande förlag. Man gav ut konstverk i upplagor om 100, men i själva verket kan varje objekt räknas som unikt på något sätt. Många var handgjorda, kinetiska eller transformerbara på något sätt. Tanken var att ge ut verk som ”optically, electrically, or through the physical intervention of the spectator, and presenting an infinite number of variations or aspects.” Genom att sälja dessa multiplar till mer modesta priser än originalverk, kunde man göra konst av några av 1900-talets viktigaste konstnärer (Duchamp, Man Ray, Christo, Jean Tingely och Niki de Saint Phalle) mer tillgänglig för en bredare publik.