Harry och Annmari Runnqvist Collection samling, Stockholm.
Private collection.

Svensk-Franska Konstgalleriet, Stockholm, February, 1931.
Galerie Billet, Paris, December, 1935.
Den frie udstilling, Copenhagen, "Carl Kylberg. Maleri-udstilling", 17 January - 3 February, 1936.
Konsthallen, Götaplatsen, Gothenburg, "Carl Kylberg", February 1936.
Kunstnernes hus, Oslo, "Carl Kylberg. Malerier, akvareller og tegningar", 20 March - 11 April, 1936.
Universitetets Konstmuseum, Lund, September, 1937.
Svenska Konstutställningen i Budapest och Wien, 1938, cat. no. 72.
Liljevalchs Konsthall, Stockholm, "Carl Kylberg", 20 April - 12 May, 1946, cat. no. 46.
Konstakademien, Stockholm, ”Carl Kylberg: Minnesutställning”, 2 ‑ 25 November 1962, cat. no. 23.
Malmö Museum, Carl Kylberg Minnesutställning, 9 December 1962 - 6 January, 1963, cat. no. 34.
Thielska Galleriet, Stockholm, 1982‑1983.
Svensk-Franska Konstgalleriet, Stockholm, "Svensk konst", exhibition 370, 1972, cat. no. 16.

Brita Knyphausen, "Carl Kylberg", 1964, listed on p. 249, cat. no. 93.

Carl Kylberg, 1878-1952, is considered a seminal figure in the Swedish 1900-century art. He was a student at the architecture department at Berlin University and then a student of Carl Wilhelmson at Valand art school in Gothenburg.

Kylberg broke through late, made his debut as a painter in 1919 with the February group at Liljevalchs. He became known to a wider public by the age of 50, but continued to be controversial as an artist. He had a permanent artistic antagonist of Isaac Grünewald and the same year as the Nazis in Germany set up the decisive blow against Entartete Kunst and practically the whole of modernism, Swedish government stopped the purchase of the painting "Uppbrottet" of the National Museum in Stockholm.

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

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