No connection to server
Part of Bonhams Network
Home Create account
Quality auctions online
Live auctions
Nordic DesignSellBuyNews
Contact
Svenska Suomi
Home  News
Part of Bonhams Network
    Create account
Switch to Swedish Switch to Finnish
AuctionsNordic DesignSellBuyContact
Important Spring Sale 641 Stockholm822824
823
1371524

A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.

A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.
Estimate
8 000 - 10 000 SEK
710 - 887 EUR
741 - 926 USD
Hammer price
6 500 SEK
Purchasing info
For condition report contact specialist
Cecilia Nordström
Stockholm
Cecilia Nordström
Head Specialist Asian Ceramics and Works of Art, European Ceramics and Glass
+46 (0)739 40 08 02
→ Sell with Bukowskis
 Pdf print out
A Chinese blue and white 'three abundance' bowl, Qing dynasty, Yongzheng (1723-35) with Chenghua's six character mark.

Painted to the interior with leafy branches of peach, persimon and pomegranate. Diameter 17.3 cm. Height 8 cm.

Crazing. Damages. Repairs.

Provenance

From the Collection of Gustaf Wallenberg (1863-1939). Gustaf Wallenberg was Swedish business man, diplomat and active politician. He was the son of André Oscar Wallenberg, founder of Stockholm Enskilda Bank (today SEB, and grandfather of Raoul Wallenberg (1912-47?). After a career in the Swedish Navy he turned to the business world and was very active in striving to better the transoceanic shipping industry. Something that came in handy when he in 1908 successfully negotiated with the Qing court in Beijing about a friendship, trade and navigation treaty. The collection was acquired between 1906 and 1918 when Wallenberg was the Swedish Envoyé in Tokyo. From 1907 he was also accredited for Beijing and came to spend time in both countries as the Swedish Ambassador. Mr Wallenberg came to be in China in dramatic part of its history, when a lot of items came on the market and when the golden era of collecting Chinese works of art started in Europe. Thence by descent.

Literature

Bukowskis sold a part of this collection previously at Bukowskis Sale 554 in 2009 and Bukowskis Sale 556, 2010.

More information

The pieces are repaired in Japan in a technique called Kintsugi (translates to ‘golden joinery’), also known as kintsukuroi ‘golden repair’. It is a Japanese art of repairing broken pottery by mending areas of breakage with lacquer dusted or mixed with powdered gold, silver or platinum, and it treats breakage and repair as a part of the history of an object rather than something to disguise.
One can clearly see in the academic collection of Gustaf Wallenberg, that he appreciated the items for their quality and the rareness of the pieces, and that he very confident and appreciated this way of taking care of the magnificent cultural heritage of China.

The black and white images are from Temple Court, the Wallenberg residence in Japan.