The collectors library, part I, 29 books about Asian Works of Art.
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Comprising; The Art of East Asia, Gabriele Fahr-Becker, 1999. Mongols, Huns & Wikings, Hugh Kennedy 2002. Chinese Cloisonné, The Pierre Uldry Collection. National Museum, Tokyo, 1969. The Life and Times of Genghis Khan, 1970. Tibetan Sacred Art, The heritage of tantra, 1976. Hong Kong, Franscisco Hidalgo, 1979. The World of the Ancient Chinese, Grosier, 1989. Silk Roads, China Ships, Vollmer, Keal, Nagai-Berthrong 1983. Emperor of China, Self portrait of Kanghsi by Jonathan D Spence, 1973. Chinese Ivories from the Shang to Qing, 1984. The golden age of Chinese archeology, celebrated discoveries form the Peoples Republic of China, 2000. Vietnamese Ceramics in the Museum of Vietneames history Ho Chi Minh City, 1998. Oriental Ceramics Discovered in the Philipines, Leandro and Cecilia Locsin. 1967. Masterpiedes of Chinese Ju-i Scepters in the National Palace Museum. The Oriental, Bankok. Andreas Augsutin and Andrew Williamson. The Cambridge Encyclopedia of China. The Great Wall, Lou Zewen, Dick Wilson, J p Drege, H Delahaye, 1982. Son of Heaven, Imperial Art of China, 1987. Treasures of China, Annette Juliano, 1980.Things Chinese, Rita Aero, 1980.Tibet, Giuseppe Tucci, 1967. Jewellry through 7000 years, 1976. Fans of Imperial China, Neville John Iröns, 1982. Fans of Imperial Japan, Neville John Iröns, 1982. Chinese Jade Animals. Jade, Roger Keverne, 1991. Japanese grapic art, Lubor Hajek, 1989. Ukiy-E, 250 Years of Japanese Art, Roni Neuer, Susugu Yoshida. The Art of Japanese Prints, Richard Illing,
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Provenance
From the Collection of Art Director Ivar Björnberg (1934-2021). Growing up at Östermalm, Stockholm Ivar visited gallery viewings, auction viewings and antique shops with his parents and alone. It was during his visits to the antique dealers of Stockholm he became friends with the dealer Victoria Lindström, Grev Turegatan 28, Stockholm (she later moved her gallery to Riddargatan). He started to work extra at the gallery and had her as a mentor when starting his own collection. The collection is a academic one and it shows Mr Björnbergs taste and great passion for the aesthetics of Chinese Works of Art.