No connection to server
580
1481723

Arthur Luiz Piza

(Brazil, 1928-2017)
Estimate
80 000 - 100 000 SEK
6 980 - 8 720 EUR
7 300 - 9 120 USD
Hammer price
Unsold
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

What will the transport cost?

Packaging and insurance

All items sent from Bukowskis are fully insured and carefully inserted in discreet packaging to protect your unique item.

How do I book a transport?

When the payment is settled, you're welcome to book transport on My Pages

When will my item be delivered?

Your order will be prepared within 2-5 days after the transport is booked. You will receive a message by mail, text or phone when your item is on its way. Please note, when making payment via Klarna, that the address for home delivery must be the same as your invoicing address.

For condition report contact specialist
Amanda Wahrgren
Stockholm
Amanda Wahrgren
Specialist Modern Art, Prints
+46 (0)702 53 14 89
Arthur Luiz Piza
(Brazil, 1928-2017)

"224"

Signed Piza. Mixed media on paper 21 x 16.5 cm, including plexi 32 x 27 cm.

Provenance

Galleri Glemminge, Glemmingebro.

Exhibitions

Galleri Glemminge, 1978.

More information

Born in São Paulo (Brazil) in 1928, Arthur Luiz Piza began his studies in painting at a young age as a student of Antonio Gomide. From 1951 he settled in Paris. Living in Montparnasse, Piza regularly attended the engraving workshop of graphic artist Johnny Friedlaender, refining his skills in traditional graphic techniques but also experimenting extensively with his own techniques to make his work more sculptural and three-dimensional. Abandoning traditional etching techniques and using very thick copper plates, Piza developed a highly significant style.
From the time of his arrival in France, Piza participated in numerous group exhibitions, both in his host country and abroad (São Paulo Biennale, Ljubljana Biennale, Grenchen Print Biennale, Kassel Documenta, Salon des Réalités Nouvelles, etc.). He also presented works in solo exhibitions in Brazil and France; at Galerie La Hune (Paris) he had a dozen exhibitions between 1953 and 1991.
In his work, both in printmaking and painting, Piza's colour palette often consisted of muted earth tones with hints of ochre. The paintings are also three-dimensional and created using a variety of techniques.