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Edmund Blair Leighton

(England, 1852-1922)
Estimate
1 000 000 - 1 200 000 SEK
89 200 - 107 000 EUR
92 300 - 111 000 USD
Hammer price
1 000 000 SEK
Purchasing info
For condition report contact specialist
Lena Rydén
Stockholm
Lena Rydén
Head of Art, Specialist Modern and 19th century Art
+46 (0)707 78 35 71
Edmund Blair Leighton
(England, 1852-1922)

"Faded Laurels"

Signerad E. Blair Leighton and dated 1889. Relined canvas 178 x 119 cm.

Saleroom notice

Relined canvas.

Provenance

Swedish private collection.

Exhibitions

Royal Academy, London, 1889, cat.no. 456, exhibited under the titel "Fame".

Literature

Academy Notes 1889, Henry Blackburn (ed.), London, 1889, p. xiv, 45.
Times, 22 May 1889, p. 15.
Athenaeum, no. 3214, 1 June 1889, p. 701.
Art Journal, 1889, p. 218.
”The Art of Edmund Blair Leighton”, Alfred Yockney, Art Annual, 1913, p. 5, 28.

More information

Edmund Blair Leighton was born in London in 1852. His father, who died when Edmund was three, was also an artist and the son showed an early interest in following in his footsteps. He took evening classes in painting, including at South Kensington, and at the age of 21, he quit his day job and began studying full-time at the Royal Academy. He studied there for five years and in 1878 he made his debut at the Academy's exhibition. He would exhibit there regularly for 42 years.

Blair Leighton was well known during his lifetime and his art attracted a wide audience. His paintings were widely reproduced and hung in many English homes. One writer wrote in 1900: 'No work is more popular than his among publishers' and his obituary in the Times states that his work was 'in photogravure form, ...seen in so many homes'.

Blair Leighton executed 'Faded laurels' in 1889 and exhibited it at the Royal Academy the same year. It depicts an aged harpist whose fame has waned and is overshadowed by a younger colleague. The elderly man is shown sitting on the steps in the foreground of the image, and behind him the crowd is gathered outside the church gate to listen to the younger musician. Even the King and Queen attend the concert. It was once claimed that Blair Leighton depicted his contemporaries in a historical context. He often chose motifs and themes that his contemporary audience could recognise, such as love, fear and grief. In 'Faded laurels' he deals with the eternal theme of the rise and fall of fame.

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Important Winter Sale 661

97. A Swedish rococo giltwood mirror, Stockholm later part 18th century.
Estimate
15 000 - 18 000 SEK
Bid History
14 000
 
SEK
Your Bid
13 000
 
SEK
Your Bid
Current bid:
14 000 SEK