No connection to server
Theme auctions online
Systembolaget Wine and Spirits auction D073
Auction:
Scandinavian Brutalism – Jewellery and Silver F729
Auction:
Gösta Werner F666
Auction:
The Ekegren Collection – Part III F738
Auction:
Nordic Light F740
Auction:
Curated Photographs F796
Auction:
Contemporary Clay: Yixing Pottery from the Bogg Collection F783
Auction:
Selected Finnish Classics F775
Auction:
Live auctions
Contemporary Art & Design 670
Auction: April 21−22, 2026
Important Timepieces 671
Auction: April 21, 2026
Modern Art & Design 672
Auction: May 20−21, 2026
Important Spring Sale 673
Auction: June 10−12, 2026
678
1571409

Édouard Frédéric Wilhelm Richter

(France, 1844-1913)
Estimate
60 000 - 80 000 SEK
5 780 - 7 700 EUR
6 650 - 8 860 USD
Hammer price
Unsold
Bidding requires special pre approval.
By requesting phone bidding, you agree to be contacted by our staff during the auction to place bids on your behalf.
Purchasing info
For condition report contact specialist
Rasmus Sjöbeck
Stockholm
Rasmus Sjöbeck
Assistant Specialist Classic Art, Old Masters
+46 (0)727 33 24 02
Édouard Frédéric Wilhelm Richter
(France, 1844-1913)

Interior with a table in the background

Signed E. Richter. Oil on canvas 70 x 100 cm.

More information

Édouard Richter (Édouard Frédéric Wilhelm Richter, 1844-1913), was born in 1844 to a Dutch mother and German father.
His extensive artistic education took him to the Hague Academy, then to Antwerp and finally to the Académie de Beaux-Arts in Paris, where he trained under the French painter Léon Bonnat.

Richter first exhibited a still-life at the Salon in Paris 1866. Between 1748 and 1890 the Salon in Paris was arguably the greatest annual or biennial art event in the Western world.

Richter received plenty of praise and accolades and was awarded the Salon
honorable mention 1866. However for the following fifty years, he submitted a range of subject matter including portraits, historical genre scenes and more specifically Orientalist subjects.

Richter's favourite motifs and visual world was completely dominated by Orientalist subjects. His visual arts and artistry demonstrate a certain studied theatricality in the gesture of the figures and the compositions, as well as an exquisite handling of the textures and colours.