"Mick Jagger"
Signed in pencil by Andy Warhol and also signed in black felt tip pen by Mick Jagger, numbered in pencil 12/250. Screenprint in colours, 1975. Printed by Alexander Henrici, New York, published by Seabirds Editions, London. S. 110.5 x 73.2 cm.
Literature
Feldman & Schellmann II. 143.
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Andy Warhol's artistic exploration of fame and celebrity extends beyond his iconic works to his very lifestyle. Embedded within New York's elite social circles from the 1960s onwards, Warhol engaged with figures ranging from Bill Murray to John Lennon, but it was his relationship with Mick Jagger that stands out as particularly significant. Their friendship, often highlighted in Warhol’s biographies and publicized in the media, became emblematic of the glamorous and rebellious jet-set culture of the 1970s.
Warhol spent much time with Jagger and his then-wife Bianca, and their dynamic was a defining feature of the period's artistic and social scene. When Jagger commissioned Warhol to design the cover for the Rolling Stones’ Sticky Fingers album in 1971, Warhol was granted complete artistic freedom. The resulting image — a close-up of Joe Dallesandro’s crotch in denim — became one of the most provocative and boundary-pushing visuals in rock and roll history, encapsulating the raw, sensual energy of the band and their defiance of societal norms.
The collaboration between Jagger and Warhol continued into the mid-1970s. In 1975, Warhol released a portfolio of 10 silkscreen prints based on intimate photographs of Jagger taken by the artist himself. This series has since become one of Warhol’s most celebrated celebrity-themed works, demonstrating the artist’s fascination with the cult of fame and his ability to elevate everyday imagery into high art. Much like the Sticky Fingers album cover, the Mick Jagger silkscreens remain an enduring symbol of the powerful personalities of two of the most influential cultural figures of the 20th century.
More about Andy Warhol
American artist, printmaker, and filmmaker. He studied at the Carnegie Institute of Technology from 1945 to 1949 and began his career as an art director for the magazines Vogue and Harper’s Bazaar. His success in the advertising industry led to the Art Directors Club Medal in 1957.
Warhol is considered one of the leading figures of Pop Art. His artistic practice consists largely of portraits, often of well-known individuals, executed in silkscreen technique. He also worked with reproduced documentary images as well as installations in which everyday consumer objects, such as packaging, were given a central role. The underlying idea was that beauty and energy can be found everywhere in modern society, even in things often regarded as banal. As a result, detergent boxes and soup cans became artistic motifs. Campbell’s soup cans and Brillo boxes were transformed through his work into some of the most iconic artworks of the 20th century.
From 1963 onward, he produced and participated in a large number of films in his own studio, The Factory, which simultaneously developed into an important meeting place for New York’s artistic and bohemian scene. Warhol continuously documented his surroundings with a film camera and later also a Polaroid camera. In his so-called Screen Tests, he filmed a number of internationally known figures, including Mick Jagger, Bob Dylan, Marcel Duchamp, and Salvador Dalí. According to his will, The Andy Warhol Foundation for the Visual Arts was established in New York in 1987, and in 1994 The Andy Warhol Museum opened in Pittsburgh.
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