Bukowski Auctions, Modern Spring Auction 2003, cat. no. 205.
Private Collection.

The Royal Academy of Fine Arts, Stockholm, "Carl Kylberg", 11 - 28 February 1937, cat. no. 17.
Liljevalchs Art Gallery, Stockholm, "Carl Kylberg", 20 April - 12 May 1946.
Liljevalchs Art Gallery, Stockholm, "Carl Kylberg - Memorial Exhibition", 13 March - 4 April 1954.
The Royal Academy of Fine Arts, Stockholm, The Swedish General Art Association, "Carl Kylberg", 2 - 25 November 1962, cat. no. 4.
Moderna Museet, Stockholm, "CK", 21 August - 10 October 1976, cat. no. 3.
Malmö Art Hall, "Carl Kylberg", 17 December 1977 - 26 February 1978, cat. no. 7.
Nordjyllands Kunstmuseum, 1978.
Thielska Galleriet, Stockholm, 1982-83. The National Gallery, Oslo, 1984-85, cat. no. 2.
Swedish Cultural Centre, Paris, 31 May - 14 July 1985, cat. no. 2.
Ateneum, Helsinki, 1986.
Pori Art Museum, Pori, 1986.
Kalmar Art Museum, 1987.
Skaraborg County Museum, 1988.
Agueli Museum, Sala, 1990.
Uppland Museum of Art, 1991.
Östergötland County Museum, 7 September - 9 November 1992.

Brita Knypausen, "Carl Kylberg", recorded between the years 1901-10, cat. no 16.

Carl Kylberg, 1878-1952, is considered a seminal figure in the Swedish 1900-century art. He was a student at the architecture department at Berlin University and then a student of Carl Wilhelmson at Valand art school in Gothenburg.

Kylberg broke through late, made his debut as a painter in 1919 with the February group at Liljevalchs. He became known to a wider public by the age of 50, but continued to be controversial as an artist. He had a permanent artistic antagonist of Isaac Grünewald and the same year as the Nazis in Germany set up the decisive blow against Entartete Kunst and practically the whole of modernism, Swedish government stopped the purchase of the painting "Uppbrottet" of the National Museum in Stockholm.

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