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Fredrik Wretman

(Sweden, Born 1953)
Estimate
20 000 - 25 000 SEK
1 870 - 2 340 EUR
2 130 - 2 660 USD
Hammer price
10 000 SEK
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Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Linnéa Österberg
Stockholm
Linnéa Österberg
Assistant Specialist Art
+46 (0)739 16 36 13
Fredrik Wretman
(Sweden, Born 1953)

"Leo Castelli", 1990

Signed Fredrik Wretman and dated 90 verso. Unique. Cibachrome, image 119 x 210.5. Including original iron-frame, 123 x 215.

Provenance

Purchased directly from the artist by the then-owner in connection with the exhibition "A Museum Fill Out (American Floors)," 1991.
Bukowski Auktioner, Vårens Contemporary & Design 585, 12 May 2015, lot. 271.
Private Collection, Sweden.

Exhibitions

Borås Konstmuseum, Sweden, "A Museum Fill Out (American Floors), 1991.

Literature

Jan Åman, "Fredrik Wretman / American Floors", 1991, illustrated.

More information

Fredrik Wretman's work "Leo Castelli" is one of twenty photographs that formed part of "American Floors", an installation and legendary exhibition that was shown at Moderna Museet, Stockholm, in 1991. The photographs in the series depicted floors from American galleries and art institutions, including the legendary Leo Castelli Gallery where artists such as Jackson Pollock, Robert Rauschenberg, and Andy Warhol exhibited.

The photographs in "American Floors, Russian Slippers", which were shown at the Moderna Museet, were displayed in iron frames placed on the floors. Parts of the exhibition spaces were filled with water mirrors installed in shallow basins, creating a kind of illusion or doubling of the exhibition space. While philosophy has approached reflection with skepticism as deceptive, its semblance has been embraced by artists and writers. The illusion, filtering, and the mediated, distancing appropriation of reality are central to Wretman's work.

The photographs' status as artworks naturally leads to art historical associations: Warhol's repetitive seriality or when we get close to the enlargements and notice their dots, reminding us of the painting of the last turn of the century.

The series "American Floors" was created during Wretman's time as a PS 1 fellow in New York in the late 1980s. In the works, Wretman explores the significance of context for meaning-making and the artwork as a bearer of content.