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572
1660280

Marcel Duchamp

(France, 1887-1968)
Estimate
400 000 - 500 000 SEK
38 500 - 48 200 EUR
44 200 - 55 200 USD
Hammer price
460 000 SEK
Bidding requires special pre approval.
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Lena Rydén
Stockholm
Lena Rydén
Senior specialist Art
+46 (0)707 78 35 71
Marcel Duchamp
(France, 1887-1968)

Self-portrait

Signed with dedication, dated and numbered Marcel decheravit pour Ulf (Linde) 1963, 17/25. Paper collage 14.8 x 14.8 cm. Certificate from Association Marcel Duchamp is included.

Provenance

Galerie Burén, Stockholm
Private Collection, Sweden, the seller's father was a good friend of Ulf Linde.

Literature

The Almost Complete Works of Marcel Duchamp (exhibition catalogue), Tate Gallery, London, 1966, no. 182, illustration of another example p. 77.
Arturo Schwarz, The Complete Works of Marcel Duchamp, New York, 1997, vol. II, no. 557b, illustration of another example p. 811.
Francis M. Nauman, Marcel Duchamp, the Art of Making Art in the Age of Mechanical Reproduction, New York, 1999, no. 8.31, illustration of another example p. 227.

More information

The present work is a full-scale replica of the original 1957 papier collé, executed in a numbered edition of 25 for inclusion in the special edition of the folio Marcel Duchamp by Ulf Linde – published in Stockholm in 1963 by Galerie Burén. This edition of hand-torn collages was created to help finance its publication.

The dedication Marcel dechiravit pour Ulf bears the mark of Duchamp's sardonic sense of humour; the invented word 'dechiravit' is a phonetic play on the words 'déchire a vie' which, translated loosely, mean 'torn for life'. In the present work, therefore, Duchamp himself exists in phantom effigy, his surveillant countenance haunting the consumer of modern art.