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611G
1684598

Björn Weckström, necklace 18K gold, with tourmaline sticks "The Flowering Wall", Lapponia 1974

Estimate
100 000 - 125 000 SEK
9 300 - 11 600 EUR
10 500 - 13 100 USD
Purchasing info
What will the transport cost?

Packaging and insurance

All items sent from Bukowskis are fully insured and carefully inserted in discreet packaging to protect your unique item.

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When the payment is settled, you're welcome to book transport on My Pages

When will my item be delivered?

Your order will be prepared within 2-5 days after the transport is booked. You will receive a message by mail, text or phone when your item is on its way. Please note, when making payment via Klarna, that the address for home delivery must be the same as your invoicing address.

For condition report contact specialist
Fredrik Karlsson
Stockholm
Fredrik Karlsson
Specialist Jewellery
+46 (0)767 81 06 06
Björn Weckström, necklace 18K gold, with tourmaline sticks "The Flowering Wall", Lapponia 1974

Pendant dimensions ca 70 x 40 mm, length ca 53 cm, weight 77 g. Swedish import mark, stamped Lapponia.

More information

Bukowskis is honored to present an extensive collection of gold jewelry by the Finnish designer Björn Weckström (b. 1935), one of the Nordic region’s most influential jewelry and sculpture designers. Renowned for his sculptural and nature-inspired jewelry for Lapponia, he has, since the 1960s, redefined the perception of jewelry by combining artistic expression with innovative material techniques. Weckström’s works are represented in museum collections worldwide, and he is regarded as a leading figure in modern Nordic design. The collection belonged to a Swedish silversmith active during the 1960s and 1970s, a period when Swedish jewelry art was rapidly evolving. He was part of a generation of designers who dared to break with established norms and sought new ways of expression within jewelry art. Through his works, he explored more artistic and experimental forms, and his work helped expand the boundaries of how jewelry could be perceived—not merely as decorative objects, but as art in its own right. Like Björn Weckström, he believed that jewelry is an art form on the same level as sculpture and visual art.