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706
1675099

Edvard Munch

(Norway, 1863-1944)
Estimate
500 000 - 600 000 SEK
47 800 - 57 300 EUR
54 200 - 65 100 USD
Hammer price
1 250 000 SEK
Bidding requires special pre approval.
Purchasing info
For condition report contact specialist
Rasmus Sjöbeck
Stockholm
Rasmus Sjöbeck
Assistant Specialist Classic Art, Old Masters
+46 (0)727 33 24 02
Edvard Munch
(Norway, 1863-1944)

"Summer night / Inger on the Beach"

Signed E. Munch, executed c. 1889. Ink wash and pencil on paper laid on card. Image 18.5 x 28 cm.

Saleroom notice

The work is included in the Munch Museum's catalogue raisonné.

Provenance

Sotheby's, London, Anon. sale, 28 March 1984, lot 307a.
Christie's, London, Impressionist and Post-Impressionist Art including Scandinavian Art, 27 June 2000, lot 118.
Dickinson Roundell Inc., New York.
Private Collection, Sweden. Acquired from the above in 2001.

Exhibitions

Kunstnernes Hus, Oslo, 1951.

Literature

Edvard Munch Catalogue Raisonné, The Munch Museum, Oslo, ref PE.T.00056.

More information

Few Nordic artists have had such profound international significance as Edvard Munch. Even today, we can be fascinated by him and his works, just as his contemporaries were, as he innovatively revolutionised the way he portrayed his subjects. Like van Gogh, he stands as one of the founders of Expressionism. His influence has been strongest in Scandinavia and Germany, and his individuality emerged early in his works, characterised by the experiences of a sensitive soul and personal encounters, rendered with great intensity. The often deep existential meanings of the subjects frequently reflect psychological states.

"Summer Night / Inger by the Shore" is a sketch for an oil painting of the same name and depicts Munch's sister Inger, sitting alone on a rock by the shore in Åsgårdstrand, the Norwegian coastal setting that became central to Munch's artistic career. It is a summer night with a gentle light that creates a dreamlike atmosphere. Munch executed this work around 1889 and it is an early piece by the artist. This was a period when he began to explore a symbolist and psychologically charged expression, which can be discerned in Inger's quiet and contemplative pose.