"Recycled No. 1", a glass sculpture, Berengo Studio, Murano, Italy, 1996, ed. 34/40.
In the shape of a head in multi-coloured glass, on a blue cylindrical base, signed K.K. 34/40. Height 44.5 cm, width 21.5 cm.
Private Collection, Sweden.
Kiki Kogelnik was an Austrian-American artist who moved from Vienna to New York in 1962. Today, she is best known for her paintings, stencils, and prints in the pop art style. However, in her sculptural works, first in ceramics and later in glass, many of her favourite themes and motifs can be found.
During the 1990s, Kogelnik created works that were a combination of paintings and ceramics, which she called "Expansions". Her growing visibility led to the opportunity to work with master craftsmen in new media, including bronze and glass. This allowed her to transform her two-dimensional imagery into vibrant three-dimensional sculptures. With her cancer diagnoses in early 1993, symbols of mortality re-emerged, but still with a sense of humour. Motifs featuring the image of a head became central during her final production years; they were both expressive, comic-book-like, and profound. With her spiky hair and open eyes and mouth, this iconic image became one of Kogelnik's trademarks.
Berengo Studio was founded in 1989 by Adriano Berengo with a vision to create a new path for art glass. Since its inception, the studio has collaborated with a large number of internationally renowned contemporary artists who have been invited to create works in glass alongside Murano masters. Over the years, many of the world's most established contemporary artists have engaged in various ways with the collaborations at the Berengo studio in Venice.
In her final years, Kogelnik created a whole series of Venetian glass heads with varying expressions and unexpected colour combinations, works that became an important part of her artistic expression.
Kiki Kogelnik (1935–1997) was an Austrian painter, sculptor, and printmaker. Kogelnik was born in southern Austria and studied at the Academy of Fine Arts in Vienna. She then moved to New York in 1961. She is considered Austria's sole representative of pop art.
While Kogelnik's early works were paintings, the 1960s and her life in New York marked a shift from Kogelnik's gestural and expressive painting to a collage and assemblage-like image and object design influenced by American pop art. She now worked with stencils and used materials such as vinyl and plastic. Kogelnik's work revolves around the critical examination of women's image and female beauty ideals, particularly in commercial advertising in the 1970s.
Kiki Kogelnik has been posthumously awarded Austria's highest medal in the arts, the Austrian Cross of Honour for Science and Art. The Belvedere Museum in Vienna, Austria, held a major retrospective exhibition of her work in 1997, the year of her death. Later solo exhibitions at museums have been held at Kunsthalle Stavanger, Stavanger, Norway (2017); Modern Art Oxford, United Kingdom (2015); and Hamburger Kunstverein, Hamburg, Germany (2012).
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