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91(1689655)
Mårten Andersson(Sweden, 1934-2017)
a set of six chairs, "Från gryning till natt" (From Dawn to Night), 1998.
Estimate
10 000 - 15 000 SEK
Bidding requires special pre approval.

A set of six chairs, "Från gryning till natt" (From Dawn to Night), 1998.

Complete set consisting of the chairs "Gryning" (Dawn), "Morgon" (Morning), "Middag" (Noon), "Skymning" (Dusk), "Afton" (Evening) and "Natt" (Night). Painted wood, manufacturer's wooden label with numbering and dating. Height 113 cm, seat height 44 cm.

Wear, marks.

Location
Arsenalsgatan 2, Stockholm - Y67
Exhibitions

The model series "Från gryning till natt" was introduced at the furniture fair in Älvsjö, Stockholm in 1998.

More information

Conceived in 1997-98 and executed in a limited and numbered edition.

Regarding the chairs, art critic and museum director Olle Granath wrote: “The eye that wanders over the chairs around the table embarks on a journey through the day, where geometry expresses the degree of activity during day and night.”

More about Mårten Andersson

Mårten Andersson was born in 1934 in Freluga, approximately 10 kilometres from Bollnäs in Hälsningland. His father was a spirited soul and he made a living as a carpenter, painter and itinerant worker. He preferred to paint moose in marshlands with beautiful sunsets , though he cound it hard to paint moose, so his only son had to pitch in early to help. The teachers at Sörängs school realised the young painter’s potential and saw to it that he attended a painting course with Bollnäs artists Per Englund and Fritiof Strandberg.

Upon turning eighteen, Andersson moved to Stockholm and started his studying decorative arts at Konstfack, where he remained for two years. During the summers Andersson worked with Jerk Werkmäster in Rättvik, a crucial influence who showed him the way to becoming a serious painter. After finishing school, Andersson and his friend Lennart Jirlow travelled to Italy and enrolled in the Free Academy in Florence. In Tuscany Andersson discovered the entire history of Western art and realized that the provincialism of Hälsingland and the legacy of folk painters like Lim-Johan and Haaken Gulleson were Sweden's answer to Italian masters like Botticelli and Donatello, among others.
Italy became a defining experience for Mårten Andersson, who returned to Freluga in Hälsingland and found that his subject matter blended seamlessly with his newfound Italian heritage. Each painting Mårten Andersson creates tells its own unique story; he plays with various interpretations and perspectives that leave the viewer somewhat perplexed and uncertain.

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For condition report contact specialist
Karl Green
Stockholm
Karl Green
Specialist Modern and Contemporary Decorative Art & Design
+46 (0)700 07 94 25
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Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

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Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.