Spring brook
Signed G Fjaestad and dated 06. Oil on canvas 100 x 133 cm.
Acquired directly from the artist who was a good friend of the family.
It was his winter paintings that brought Gustaf Fjaestad fame, but at the same time, it is evident that he was a very complete artist. The first curator of the Rackstad Museum, Per Inge Fridlund, goes so far as to call him versatile "almost like a Renaissance painter.” We see evidence of this in the current painting at auction. During the summer months, Fjaestad used a rowboat he had built himself to venture out onto Lake Racken and explore various aspects of the Värmland landscape. This is how Fjaestad's wife, Maja, wrote to her mother:
"It was a celebration, I must say, when Gustaf got the boat ready; he went out to test the sails, and we went around the point and followed it with our eyes; it looked good on the lake. The next day, he sailed over to Ahlgrensson's and brought them back here, and in the afternoon, we all rowed out to a small island called 'Kampöla' and had punch and feasted on lingonberries that had remained from last year. It is a fine, elegant oak boat and holds a great many."
Gustav Fjaestad was a pupil of Bruno Liljefors and Carl Larsson. He became renound for his depictions of Swedish winter landscapes, often with glistening icecrystals and bubbling water by ice's edge, sometimes lit up by the setting sun, sometimes in scales of grey, white and purple. He also designed templates for woven wallpapers, furniture, and wrought iron. He is represented in major Swedish museums as well as in Vienna and Chicago.
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