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661(1735178)
Carl Kylberg(Sweden, 1878-1952)
"Havsvik"
Estimate
100 000 - 125 000 SEK
≈ 9 130 - 11 400 EUR

"Havsvik"

Monogram signed CK. Oil on canvas 43.5 x 53 cm.

Provenance

The collection of bank official Lennart Staverfelt (1910–1969), Östersund.
Private Collection.

Exhibitions

Grand Hotel, Östersund, “Carl Kylberg Solo Exhibition”, Östersund Art Club exhibition, 20–29 March 1946.

More information

Carl Kylberg’s painting Havsvik (Sea Cove) may depict a coastal scene near Ystad or Ålsgårde on the Danish island of Zealand. Rather than offering precise topographical views, Kylberg’s seascapes capture the changing light, colour and atmosphere of the coast. The possible location is suggested by the artist’s biography. During the summers of 1935 and 1936, he spent considerable time in Ystad while the family’s newly acquired house in Ålsgårde, on the Øresund coast, was being renovated.

Once the house was ready, the views across the Øresund, the Danish coastline and the shifting light over the sea became important sources of inspiration. The red house on the hillside in the present painting recalls the motifs of his own seaside home, which he often depicted in works titled På stranden, Kylbergshus (By the Shore, Kylberg’s House).

Kylberg often painted landscapes from memory and personal experience rather than directly from nature. This coastal scene may therefore be understood as an expression of the atmosphere and changing light he experienced along the shores of the Øresund.

The present work showcases Kylberg’s exceptional sensitivity to colour. Balancing between representation and abstraction, the composition sets the glowing reds and oranges of the houses against the deep blue sea and lush green hills. His free, sweeping brushstrokes bring movement to the scene, while the luminous, almost dreamlike light lends the landscape a warm and harmonious atmosphere. More than simply depicting a view, Kylberg evokes the very feeling of being by the sea.

More about Carl Kylberg

Carl Kylberg, 1878-1952, is considered a seminal figure in the Swedish 1900-century art. He was a student at the architecture department at Berlin University and then a student of Carl Wilhelmson at Valand art school in Gothenburg.

Kylberg broke through late, made his debut as a painter in 1919 with the February group at Liljevalchs. He became known to a wider public by the age of 50, but continued to be controversial as an artist. He had a permanent artistic antagonist of Isaac Grünewald and the same year as the Nazis in Germany set up the decisive blow against Entartete Kunst and practically the whole of modernism, Swedish government stopped the purchase of the painting "Uppbrottet" of the National Museum in Stockholm.

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For condition report contact specialist
Jeanna Blomberg
Stockholm
Jeanna Blomberg
Head Specialist Art
+46 (0)766 64 67 74
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