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1200045
Elin Danielson-Gambogi(Finland, 1861-1919)
ELIN DANIELSON-GAMBOGI, oil on board, signed.
Auction ended
Hammer price
4 900EUR
Estimate
3 500 EUR

Bid history (27 bids)

7
Mar 15, 2020 8:56 PM
4 900 EUR
6
Mar 15, 2020 8:56 PM
4 700 EUR
7
A
Mar 15, 2020 8:55 PM
4 500 EUR
6
Mar 15, 2020 8:55 PM
4 450 EUR
7
Mar 15, 2020 8:53 PM
4 250 EUR
8
A
Mar 15, 2020 8:53 PM
4 050 EUR
8
A
Mar 15, 2020 8:53 PM
4 000 EUR
6
Mar 15, 2020 8:53 PM
3 900 EUR
8
Mar 15, 2020 8:52 PM
3 800 EUR
7
Mar 15, 2020 8:51 PM
3 700 EUR
8
A
Mar 15, 2020 8:51 PM
3 600 EUR
7
Mar 15, 2020 8:51 PM
3 600 EUR
8
A
Mar 15, 2020 8:51 PM
3 500 EUR
7
Mar 15, 2020 8:51 PM
3 400 EUR
8
Mar 15, 2020 8:50 PM
3 300 EUR
6
Mar 15, 2020 8:47 PM
3 200 EUR
7
Mar 15, 2020 8:47 PM
3 100 EUR
6
Mar 15, 2020 8:46 PM
3 000 EUR
5
Mar 15, 2020 7:01 PM
2 900 EUR
4
Mar 15, 2020 6:33 PM
2 800 EUR
5
Mar 15, 2020 6:06 PM
2 700 EUR
4
Mar 15, 2020 5:53 PM
2 600 EUR
5
Mar 15, 2020 4:47 PM
2 500 EUR
4
Mar 15, 2020 4:09 PM
2 400 EUR
3
Mar 9, 2020 10:19 PM
2 000 EUR
2
Mar 8, 2020 10:02 AM
1 100 EUR
1
Mar 6, 2020 1:36 PM
800 EUR
All times are in CEST

ELIN DANIELSON-GAMBOGI, oil on board, signed.

View from Italy. 34x44,5 cm.

Wear due to age and use. Small paint loss.

More about Elin Danielson-Gambogi

Elin Danielson-Gambogi was a Finnish-Swedish artist born in Norrmark, Finnland. She studied at the Finnish Art Society's Drawing School in Helsinki, under Carl Eneas Sjöström, Hjalmar Munsterhjelm, in Adolf von Beckers private art school and in Paris as Académie Colarossi, and with Auguste Rodin. Danielson-Gambogi had been taught the art of classic drawing, landscape painting, perspective painting, porcelain painting, and was even for a period active in the porcelain factory Arabia. She was part of the so-called Önningeby colony, whose members consisted of Victor Westerholm, Fredrik Ahlstedt, J.A.G Acke and Nina Ahlstedt. Daniel-Gambogi was controversial, her portraits of women glurred boundaries as they showed every day, lightly dressed women. Her art is derivative of naturalism and national romanticism, and she favours a light colour pallet to depict the Mediterranean in a manner which calls upon impressionistic and academic painting styles.

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