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1046951
Pekka Halonen(Finland, 1865-1933)
'SNOWY BRANCHES' ('LUMISIA OKSIA').
Auction ended
Hammer price
12 200EUR
Estimate
15 000 - 18 000 EUR

Bid history (15 bids)

3
May 14, 2018 5:13 PM
12 200 EUR
6
A
May 14, 2018 5:13 PM
12 000 EUR
3
May 14, 2018 5:13 PM
12 000 EUR
6
May 14, 2018 5:12 PM
11 650 EUR
7
A
May 14, 2018 5:12 PM
11 450 EUR
7
May 14, 2018 5:11 PM
11 400 EUR
6
A
May 14, 2018 5:10 PM
11 200 EUR
7
May 14, 2018 5:10 PM
11 050 EUR
6
May 14, 2018 4:41 PM
10 800 EUR
4
May 11, 2018 11:46 PM
10 600 EUR
5
May 11, 2018 7:56 PM
10 400 EUR
4
May 10, 2018 7:26 PM
10 200 EUR
3
May 5, 2018 10:34 PM
10 000 EUR
2
May 3, 2018 8:27 PM
9 000 EUR
1
May 3, 2018 6:08 PM
1 000 EUR
All times are in CEST

'SNOWY BRANCHES' ('LUMISIA OKSIA').

Signed 1932. Oil on canvas. 55x47 cm.

Wear due to age and use.

Exhibitions

Helsinki Art House, 1981.
Halosenniemi

Literature

No. 1107 in Aune Lindström, 1957.

More about Pekka Halonen

The artist Pekka Halonen is closely associated with Finnish art, known for his realistic and simple depictions of the Finnish people and nature. Halonen was born in 1865 in Lapinlahti and belonged to a large farming family with several talented artists and musicians as relatives. In 1890, he received a scholarship that enabled him to travel to Paris and study at the Académie Julian. Halonen then continued his studies under Paul Gauguin at the Académie Colarossi in Italy. Like several contemporary Finnish artists, such as Akseli Gallen-Kallela, Halonen eventually returned to his homeland to explore themes in the Finnish wilderness.

Early in his career, Halonen primarily worked in the French Impressionist style, but later his painting evolved into a more monumental approach with subdued colors, often depicting themes from Finnish rural life like 'Road Builders in Karelia' (1900). Colors dominated Halonen's work; he was a virtuoso colorist. The Finnish nature held a central role in Halonen's art, and in his numerous landscape paintings, one can also discern clear influences from symbolism and japonism.

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