Untitled
Signed Håkan Rehnberg and dated 2018 verso. Oil on acrylic glass. 200 x 185 cm.
Galerie Nordenhake, Stockholm.
Sivert Oldenvi Collection
Håkan Rehnberg undersöker och utforskar i sitt konstnärskap en egen målerisk teknik; oljefärg på sandblästrat akrylglas. En teknik som har beröringspunkter med amerikanskt färgfältsmåleri av exempelvis Barnett Newman och Mark Rothko samt med tyske konstnären Gerhard Richters abstrakta måleri.
Håkan Rehnberg har ställt ut på många viktiga institutioner, både internationellt och i Sverige. Hans karriär omfattar bland annat soloutställningar på Moderna Museet, Stockholm (2015), Galerie Nordenhake Stockholm/Berlin (2010, 2011, 2012, 2015), Malmö Konstmuseum (2007), Vida Konsthall, Öland (2005) och Liljevalchs Konsthall, Stockholm (2002). Rehnberg nominerades till Carnegie Art Award 2002 och representerade Sverige på Sydney Biennalen 2010. Håkan Rehnberg har varit ledamot i Kungliga Akademien för de fria konsterna sedan år 2000.
Håkan Rehnberg is one of Sweden’s leading artists. He lives and works in Stockholm and has, for several decades, developed a form of painting that combines formal precision with a strong interest in the possibilities of colour and sensuality.
Rehnberg has developed a distinctive technique using oil paint on acrylic glass. By replacing the traditional canvas with acrylic glass, he transforms the physical qualities of painting. The material’s lightness and transparency emphasise the open and fluid character of his works.
His art can be related to the American Color Field tradition, with artists such as Barnett Newman and Mark Rothko, as well as to the abstract painting of Gerhard Richter. Colour plays a central role in Rehnberg’s work, used both to reveal and conceal. His paintings thus move between the visible and the hidden, inviting questions about what we actually see.
Rehnberg has exhibited extensively in Sweden and internationally and has been a member of the Royal Swedish Academy of Fine Arts since 2000.
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