"Dam med 2 huvuden, 2 kroppar och 7 drömmar"
Signed M.L Ekman and dated 2008. Oil on canvas, 50.5 x 70 cm.
In "Dam med 2 huvuden, 2 kroppar och 7 drömmar" Marie-Louise Ekman’s characteristically pared-down pictorial world encounters a body that no longer conforms to the given order of anatomy. Two female bodies share two heads, placed on a bifurcated neck, while the second body remains headless. This doubling creates a displacement between body and identity: what initially appears as repetition becomes instead a dissolution of the idea of the individual as a unified whole.
In Ekman’s work, the everyday is rarely unambiguous. The stylised drawing and clear fields of colour give the image an apparently simple and immediate character, while the subject opens onto questions of the boundaries of the self, bodily integrity, and the relationship between inner and outer reality. The tension arises precisely in the encounter between order and impossibility: a space in which everything seems to have its designated place, except the human being.
Marie-Louise Ekman is without a doubt one of Sweden's most eccentric artists. The consistency in her expression is striking, with a distinctive language that is unmistakably her own.
Ekman's artistry is timeless and continuously relevent. She is a leading and influential artist who often depicts everyday environments, but does not align herself with the absurdist and surrealist art forms. She travels unhindered over artistic buondaries and often ustilises art historical references, incorporating them with pop-culture references. Ekmans konstnärskap har i mycket präglats av hennes anarkistiska och klarsynta angrepp på normalitet som ständigt har manifesterats i en spännvidd som låtit henne ingå i kretsen kring den inflytelserika undergroundtidningen "Puss" och med separatutställningar på Galerie Aronowitsch.
When looking closer at her multifaceted artisty one discovers that she is a recycler. There is barely a motif that is not repeated in more than one context, not a figure that does not stir up déjà vu. One first encounters these elements in objects or paintins, then in movies, tv-seris and radio programmes. Although the media sources vary in theme and tone over the decades, Ekman continues to reference media through her art, and it is thanks to this that Ekman feels forever young.
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