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552
79613

Joseph Beuys

(Germany, 1921-1986)
Estimate
20 000 - 25 000 SEK
1 930 - 2 410 EUR
2 220 - 2 770 USD
Hammer price
50 000 SEK
Bidding requires special pre approval.
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

Joseph Beuys
(Germany, 1921-1986)

"ZWEI FRÄULEIN MIT LEUCHTENDEM BROT".

Signed Joseph Beuys. Made 1966. Mixed media "chocolate cake", acryl on paper 68 x 20 cm.

Provenance

Mats B.

Literature

Mats B. "FLUXUS, The Development of an antidote", Galleri Stenström, Stockholm, 1992.

More information

500 onumrerade och osignerade exemplar publicerade i décoll/age nr 5, Köln 1966. Schnellmann 2. Detta exemplar är signerat och ett s k "gefälligkeitsigniert " ungefär "vänsignering".

Designer

Joseph Beuys was a German draftsman, sculptor, and art theorist who worked both in Europe and the USA. He is considered one of Germany's most influential conceptual artists of the post-war era, associated notably with the Fluxus movement. Beuys studied at the Düsseldorf academy of Art between 1946 and 1951, where in 1961 he became a professor in sculpture. He has a strong interest for natural scenes, folklore and mythology, and strongly emphasises the healing potential of art for both the artist and the viewer, addressing social, psychological, and political themes. Beuys is particularly renowned for works incorporating materials like fat and felt—two common substances, one organic and one manufactured, which held deep personal significance for the artist. Examples include his sculpture "Fat Chair" and "Felt Corner" (1964) and the installation "Tallow" (1977). These pieces reflect Beuys' belief in art's transformative power and its ability to engage with complex human experiences.

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