No connection to server
Theme auctions online
The Eclectic Collection F772
Auction:
Helge Dahlman F782
Auction:
Birds by Toikka – Part 2 F728
Auction:
Private Collection of Hand-Knotted Persian Artifacts E1309
Auction:
Silver Linings E1279
Auction:
Chalet Interiors E1217
Auction:
Live auctions
Contemporary Art & Design 670
Auction: April 21−22, 2026
Important Timepieces 671
Auction: April 21, 2026
Modern Art & Design 672
Auction: May 20−21, 2026
Important Spring Sale 673
Auction: June 10−12, 2026
5
424029

Gösta Adrian-Nilsson

(Sweden, 1884-1965)
Estimate
15 000 - 18 000 SEK
1 420 - 1 710 EUR
1 630 - 1 950 USD
Hammer price
16 000 SEK
Bidding requires special pre approval.
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

Gösta Adrian-Nilsson
(Sweden, 1884-1965)

From The Arabian Nights

Signed GAN. Executed in Stockholm in 1918. Watercolour, gold colour and pencil on paper 30 x 22 cm.

Provenance

Originally in the collection of Consul Hugo Blom, Norrköping, Sweden.
Subsequently as a gift within the family.
Private collection.

Literature

”Konst i svenska hem”, vol. II, No 7, catalogued p. 573 under collection 979: ”Konsul Hugo Blom, Norra Strömgatan 23, Norrköping".

More information

On verso: Letter from Gösta Adrian-Nilsson, dated Stockholm September 5 1918.

Designer

Gösta Adrian-Nilsson is most notable as a visual artist, and he is a pioneer of Swedish modernism. He studied at the Tekniske Selskabs Skole in Copenhagen and later for Johan Rohde at Zahrtmann’s school in Copenhagen. As an avant-gardist, Nilsson was constantly searching for new influences. In Berlin, he was influenced by the circle around the radical magazine Der Sturm, through Kandinsky and och Franz Marc. In Paris through Fernand Legér and the artists in his circle. GAN was an eclectic in the positive sense of the word. He took the the artist styles of the 1900s and created new impressions. Symbolism, cubism, futurism, expressionism, constructivim and Theosophy were the colours occupying his internal pallet. He had a sharp eye for the masculine and his painting was often energized by the vitality of modern technology, vibrant eroticism, and echoes of tyrants. No other Swedish modern artist exhibits such a unique style.

Read more