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114299

Anders Zorn

(Sweden, 1860-1920)
Estimate
200 000 - 225 000 SEK
17 400 - 19 600 EUR
18 200 - 20 500 USD
Hammer price
300 000 SEK
Purchasing info
Anders Zorn
(Sweden, 1860-1920)

Head of Spanish girl, Sevilla

Signed Leon. Z and dated Sevilla -81. Watercolour and pencil with heightening indian ink 25 x 19 cm. On verso study of guitarplaying man.

Provenance

The collection of Consul Erik och Mrs. Lisa Brodin, Stockholm.
The collection of Mr. Kåre and Mrs. Ingrid Bäckström, Djursholm, Stockholm.
Private collection.

Literature

"Konst i svenska hem", N:o 5, catalogued and illustrated p. 264 under collection 415: "Fil. Dr och Fru Kåre och Ingrid Bäckström, Karlavägen 11, Djursholm".
Johan Cederlund, "Zorn i Spanien", 2009, illustrated full page in colour, p. 22.

More information

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Designer

Anders Zorn, born in Mora in 1860, showed artistic talent from a young age. In 1875, he traveled to Stockholm and became a student at the then Slöjdskolan (now Tekniska högskolan) in Stockholm, and shortly after, he joined the Royal Academy of Fine Arts. Initially, Zorn had aspirations of becoming a sculptor, but soon watercolor painting took over, becoming his primary medium until 1887. At the student exhibition in 1880, Zorn had his breakthrough with the watercolor painting "I sorg." The following year, he gained international acclaim as a portrait painter. His watercolor painting reached its pinnacle during this period, and his most famous work from this time is "Vårt dagliga bröd” from 1886. Shortly thereafter, Zorn transitioned to oil painting, which was met with immediate success. Zorn's reputation mainly rested on his portrait art, and he portrayed many notable figures, including presidents. For instance, he created an etching of Theodore Roosevelt. His etchings significantly contributed to his success. In the late 1880s, Zorn began working in the genre that would increasingly become his trademark: nude figures in outdoor settings. He had long been fascinated by the movement of water and the reflections of light on its surface. Now, he added the complexity of placing a model near or in the water, aiming to depict a synthesis between nature and humanity. In 1896, Zorn and his wife moved back to Sweden and settled in Zorngården in Mora. This move sparked a renewed interest in his homeland, which would be reflected in his future paintings. Among the artist's scenes from the Mora region, portraying its local customs and ancient traditions, "Midsommardansen" holds the highest value according to Zorn himself. Today, the painting can be found at the National Museum.

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